“Phoebe Hurty hired me to write copy for ads about teen aged clothes. I had to wear the clothes I praised. That was part of the job. And I became friends with her two sons, who were my age. I was over at their house all the time.She would talk bawdily to me and her sons, and our girlfriends when we brought them around. She was funny. She was liberating. She taught us to be impolite in conversation not only about sexual matters, but about American history and famous heroes, about the distribution of wealth, about school, about everything.I now make my living being impolite. I am clumsy at it. I keep trying to imitate the impoliteness which was so graceful in Phoebe Hurty. I think now that grace was easier for her than it is for me because of the mood of the Great Depression. She believed what so many Americans believed then: that the nation would be happy and just and rational when prosperity came.I never hear that word anymore: Prosperity. It used to be a synonym for Paradise. And Phoebe Hurty was able to believe that the impoliteness she recommended would give shape to an American paradise.Now her sort of impoliteness is in fashion. But nobody believes anymore in a new American paradise. I sure miss Phoebe Hurty.”

“Later, the talk turned to all the other guys/girls who were currently hot for the two of them. 'There's this total dweeb named Robert who's always calling me, and I feel bad because he's really nice, but I'm totally not interested,' Phoebe told Pablo.'Believe me, I know what that's like,' Pablo told Phoebe. 'There's this girl at Hunter who's, like, obsessed with me. She's, like, this big fat girl. Ass like a truck. She's always writing me these love letters. Maybe I should fuck her. You know, just to be nice.' (Smile, smile.)'You're so bad.' (Phoebe shaking her head; Pablo loving it; Phoebe loving it, too. What was more ego-enhancing than making dumb jokes at the expense of ugly women? Phoebe could never decide whom she hated more--other people or herself.)”

“Lash had been explaining to her that it's impolite to refer to an African American as a nigga, unless one was another African American, when Troy Lee came in and said, "She only speaks Cantonese.""She does not. She keeps coming in and saying 'What's up my nigga?'""Oh yeah. She does that to me, too. Did you give her a pound?""No. I didn't give her a pound, motherfucker. She called me a nigga.""Well, she's not going to quit unless you give her a pound. It's just the way she rolls.""That's some bullshit, Troy.""It's her couch.”

“So now begins the first war with Cordelia' in which I retreat and thereby teach her to be victorious as she pursues me. I continually fall back, and in this backward movement I teach her to know through me all the powers of erotic love, its turbulent thoughts' its passion, what longing is, and hope, and impatient expectancy. As I perform this set of steps before her' all this will correspondingly in her' It is a triumphant procession in which I am leading her, and I myself am just as much the one who dithyrambically sings praises to her victory as I am the one who shows the way. She will gain courage to believe in erotic love, to believe it is an etemal force, when she sees its dominion over me, sees my movements. She will believe me, partly because I rely on my artistry, and partly because at the bottom of what I am doing there is truth. If that were not the case, she would not believe me. With my every move, she becomes stronger and stronger; love is awakening in her soul; she is being enthroned in her meaning as a woman”

“What was she like?"I tell the truth."She was my dream. She made me who I am, and holding her in my arms was more natural to me than my own heartbeat. I think about her all the time. Even now, when I'm sitting here, I think about her. There could never be another.”

“She was my dream. She made me who I am, and holding her in my arms was more natural to me than my own heartbeat. I think about her all the time. Even now, when I'm sitting here, I think about her. There could never have been another.”