“Talent is extremely common. What is rare is the willingness to endure the life of the writer.”

“I'm not a drug salesman. I'm a writer.""What makes you think a writer isn't a drug salesman?”

“I'm simply interested in what is going to happen next. I don't think I can control my life or my writing. Every other writer I know feels he is steering himself, and I don't have that feeling. I don't have that sort of control. I'm simply becoming. I'm startled that I became a writer.”

“I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career.”

“Unk had no way of judging the quality of the information contained in the letter. He accepted it all hungrily, uncritically. And, in accepting it, Unk gained an understanding of life that was identical with the writer's understanding of life. Unk wolfed down a philosophy.”

“I became a so-called science fiction writer when someone decreed that I was a science fiction writer. I did not want to be classified as one, so I wondered in what way I'd offended that I would not get credit for being a serious writer. I decided that it was because I wrote about technology, and most fine American writers know nothing about technology. I got classified as a science fiction writer simply because I wrote about Schenectady, New York. My first book, Player Piano, was about Schenectady. There are huge factories in Schenectady and nothing else. I and my associates were engineers, physicists, chemists, and mathematicians. And when I wrote about the General Electric Company and Schenectady, it seemed a fantasy of the future to critics who had never seen the place.”

“There's no question about it. The arts are an extremely high-risk situation. People are willing to take these extraordinary chances to become writers, musicians or painters, and because of them we have a culture. If this ever stops, our culture will die, because most of our culture, in fact, has been created by people that got paid nothing for it-- People like Edgar Allan Poe, Vincent van Gogh or Mozart. So, yes, it's a very foolish thing to do, notoriously foolish, but it seems human to attempt it anyway.”