“He often said he had to be a writer because he wasn't good at anything else. He was not good at being an employee. Back in the mid-1950's, he was employed for Sports Illustrated, briefly. He reported back to work, was asked to write a short piece on a racehorse that jumped over a fence and tried to run away. Kurt stared at the blank piece of paper all morning and then typed, "The horse jumped over the fucking fence," and walked out, self-employed again.”
“There is something about jumping a horse over a fence, something that makes you feel good. Perhaps it's the risk, the gamble. In any event it's a thing I need.”
“If that's true why did it jump into the swamp?" Alex asks. "No normal horse would do that. Jump into a lake for a swim maybe, but not a swamp, unless it was a suicidal horse.”
“The real job of every moral teacher is to keep bringing us back, time after time, to the old simple principles which we are all so anxious not to see; like bringing a horse back and back to the fence it has refused to jump or bringing a child back to a lesson that it wants to shirk.”
“The man was in his late thirties, with coarse black hair and a powerfully angled face. The horse with him made a sudden noise, a high whining sound, and its graceful head tossed, jerked. The man let the reins go, and the horse galloped to the fence where Zeke stood waiting.Mattie glanced at him. He’d climbed onto the fence and leaned over the top, softly whistling a series of notes. On his face was an expression Mattie had never seen—equal parts joy and sorrow.”