“The museums in children’s minds, I think, automatically empty themselves in times of utmost horror—to protect the children from eternal grief.For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind.Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died—to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere.”

“I love my mother for all the times she said absolutely nothing.... Thinking back on it all, it must have been the most difficult part of mothering she ever had to do: knowing the outcome, yet feeling she had no right to keep me from charting my own path. I thank her for all her virtues, but mostly for never once having said, "I told you so.”

“She repeated what her mother had told me, that she had been moved when she heard me playing as she passed the house. She had seen me on the street a few times, too, and begun to worship me. She actually used that word: worship. It made me turn bright red. I mean, to be 'worshiped' by such a beautiful little doll of a girl! I don't think it was an absolute lie, though. I was in my thirties already, of course, and I could never be as beautiful and bright as she was, and I had no special talent, but I must have had something that drew her to me, something that was missing in her, I would guess. Which must have been what got her interested in my to begin with. I believe that now, looking back. And I'm not boasting.”

“She was intensely sympathetic. She was immensely charming. She was utterly unselfish. She excelled in the difficult arts if family life. She sacrificed herself daily. If there was chicken, she took the led; if there was a draft she sat in it-- in short she was so constituted that she never had a mind or wish of her own, but preferred to sympathize always with the minds and wishes of others... I did my best to kill her. My excuse, if I were to be had up in a court of law, would be that I acted in self defense. Had I not killed her, she would have killed me.”

“See, the thing is I didn't think that that song would get much attention because it's such a personal song to me. I just wrote it about my childhood, and I didn't know how that would read on an album. But it's been everybody's favorite song. I didn't tell my mom. It was a total secret. So I wrote it in secret and then decided to record it secretly, so she had no idea that the song was recorded. My producers sent me the track and I synched it up to all my baby videos and I played it for her one Christmas Eve, and she bawled her eyes out. She didn't even think that it was my song. She didn't think there was any way for me to record a song without her knowing.”

“In PlasterI shall never get out of this! There are two of me now:This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was 
Only much whiter and unbreakable and with no complaints.I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:She began to warm up, and I saw her advantages.

Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.

I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.In time our relationship grew more intense.

She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal.She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water.

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.--written 26 Feburary 1961”