“Trout sat back and thought about the conversation. He shaped it into a story, which he never got around to writing until he was an old, old man. It was about a planet where the language kept turning into pure music, because the creatures there were so enchanted by sounds. Words became musical notes. Sentences became melodies. They were useless as conveyors of information, because nobody knew or cares what the meanings of words were anymore. So leaders in government and commerce, in order to function, had to invent new and much uglier vocabularies and sentence structures all the time, which would resist being transmuted to music.”

“As for the story itself, it was entitled "The Dancing Fool." Like so many Trout stories, it was about a tragic failure to communicate. Here was the plot: A flying saucer creature named Zog arrived on Earth to explain how wars could be prevented and how cancer could be cured. He brought the information from Margo, a planet where the natives conversed by means of farts and tap dancing. Zog landed at night in Connecticut. He had no sooner touched down than he saw a house on fire. He rushed into the house, farting and tap dancing, warning the people about the terrible danger they were in. The head of the house brained Zog with a golfclub.”

“he predicted...that human slavery would come bac, that it had infact never gone away. he said that so many people wanted to come here because it was so easy to rob the poor people, who got absolutely no protection from the government. he talked about bridges falling down and water mains breaking because of no maintenance. he talked about oil spills and radioactive waste and poisoned aquifers and looted banks and liquidated corporations. "and nobody ever gets punished for anything," he said. "being an american means never having to say you're sorry.”

“Phoebe Hurty hired me to write copy for ads about teen aged clothes. I had to wear the clothes I praised. That was part of the job. And I became friends with her two sons, who were my age. I was over at their house all the time.She would talk bawdily to me and her sons, and our girlfriends when we brought them around. She was funny. She was liberating. She taught us to be impolite in conversation not only about sexual matters, but about American history and famous heroes, about the distribution of wealth, about school, about everything.I now make my living being impolite. I am clumsy at it. I keep trying to imitate the impoliteness which was so graceful in Phoebe Hurty. I think now that grace was easier for her than it is for me because of the mood of the Great Depression. She believed what so many Americans believed then: that the nation would be happy and just and rational when prosperity came.I never hear that word anymore: Prosperity. It used to be a synonym for Paradise. And Phoebe Hurty was able to believe that the impoliteness she recommended would give shape to an American paradise.Now her sort of impoliteness is in fashion. But nobody believes anymore in a new American paradise. I sure miss Phoebe Hurty.”

“What are you?' Trout asked the boy scornfully. 'Some kind of gutless wonder?' This, too, was the title of a book by Trout, The Gutless Wonder. It was about a robotwho had bad breath, who became popular after his halitosis was cured. But what madethe story remarkable, since it was written in 1932, was that it predicted the widespreaduse of burning jellied gasoline on human beings. It was dropped on them from airplanes. Robots did the dropping. They had noconscience, and no circuits which would allow them to imagine what was happening tothe people on the ground. Trout's leading robot looked like a human being, and could talk and dance and so on,and go out with girls. And nobody held it against him that he dropped jellied gasoline onpeople. But they found his halitosis unforgivable. But then he cleared that up, and he waswelcomed to the human race.”

“All around him were what other people called mirrors, which he called leaks. The entire wall which separated the lobby from the cocktail lounge was a leak ten feet high and thirty-feet long. There was another leak on the cigarette machine and yet another on the candy machine. And when Trout looked through them to see what was going on in the other universe, he saw a red-eyed, filthy old creature who was barefoot, who had his pants rolled up to his knees.”

“Rosewater was twice as smart as Billy, but he and Billy were dealing with similar crises in similar ways. They had both found life meaningless, partly because of what they had seen in war. Rosewater, for instance, had shot a fourteen-year-old fireman, mistaking for a German soldier. So it goes. And Billy had seen the greatest massacre in European history, which was the fire-bombing of Dresden. So it goes. So they were trying to re-invent themselves and their universe. Science fiction was a big help.”