“When a man becomes a writer, I think he takes on a sacred obligation to produce beauty and enlighenment and comfort at top speed”

“Young Castle called me "Scoop." "Good Morning, Scoop. What's new in the word game?""I might ask the same of you," I replied."I'm thinking of calling a general strike of all writers until mankind finally comes to its senses. Would you support it?""Do writers have a right to strike? That would be like the police or the firemen walking out.""Or the college professors.""Or the college professors," I agreed. I shook my head. "No, I don't think my conscience would let me support a strike like that. When a man becomes a writer, I think he takes a sacred obligation to produce beauty and enlightenment and comfort at top speed.""I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems...""And how proud would you be when people started dying like flies?" I demanded."They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails."I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?""In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system.""Neither one very pleasant, I expect," I suggested."No," said Castle the elder. "For the love of God, both of you, please keep writing!”

“...Let me say that I do think decency and civilization would insist that the writer take sides with the powerless. Clearly, there's no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects.”

“Beauty is something that is hard to debate. Every man thinks his ideal the best. But the wittiest woman rise to the top of this structure, conventional beauty often taking a back seat to a woman possessed of a clever tongue.”

“The ornament of beauty, Shakespeare wrote, is suspect. And he was right. But beauty itself, unadorned and unaffected, is sacred, I think, worthy of our awe and our loyalty.”

“Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary”