“...Your body is nothing but an envelope, Karou. Your soul is another matter, and is not, as far as I know, in any immediate danger." "An envelope?" She didn't like to think of her body as an envelope--something others might be able to open up and rifle through, remove things from like so many clipped coupons. "I assumed you felt the same way," he'd said. "The way you scribble on it." Brimstone didn't approve of her tattoos, which was funny, since he was responsible for her first, the eyes on her palms.”
“Everything about him enveloped her, made her crave exactly this. His possession. In her mind something relaxed; the balance shifted. She welcomed every way he could touch her, the heat from his body, the atoms of his breath. Everything.”
“There was the bulge and the glitter, and there was the cold grip way down in the stomach as though somebody had laid hold of something in there, in the dark which is you, with a cold hand in a cold rubber glove. It was like the second when you come home late at night and see the yellow envelope of the telegram sticking out from under your door and you lean and pick it up, but don't open it yet, not for a second. While you stand there in the hall, with the envelope in your hand, you feel there's an eye on you, a great big eye looking straight at you from miles and dark and through walls and houses and through your coat and vest and hide and sees you huddled up way inside, in the dark which is you, inside yourself, like a clammy, sad little fetus you carry around inside yourself. The eye knows what's in the envelope, and it is watching you to see you when you open it and know, too. But the clammy, sad little fetus which is you way down in the dark which is you too lifts up its sad little face and its eyes are blind, and it shivers cold inside you for it doesn't want to know what is in that envelope. It wants to lie in the dark and not know, and be warm in its not-knowing.”
“..he said, he didn't know what to do. He couldn't move forward. He thought, they should move on. He started crying. Not for himdelf, for her. He'd rescued her from her lousy life, and now he was throwing her back. He felt like a shit for doing it, for things having to be that way, for not being able to gove her what she wanted. The last thing he wanted was to hurt her. The only part that wasn't in the manual, was her response: She started to laugh. "Oh, give me a break," she said.”
“Parker fixated on the envelope's precise penmanship as she lifted it. Her grandmother rarely took the time to write her own name in the return address, let alone give it the aesthetic attention that this one so seemed to demand. Once, when Parker questioned her on this, her grandmother casually asserted that she "didn't quite believe in envelopes" as if this were a debatable concept like Socialism or wearing white after Labor Day.”
“But I didn't frame it; I put into an envelope and sealed it and stuffed it far back into a corner drawer of a filing cabinet. It's there, just in case one of these days I start to lose her.There might be a morning when I wake up and her face isn't the first thing I see. Or a lazy August afternoon when I can't quite recall anymore where the freckles were on her right shoulders. Maybe one of these days, I will not be able to listen to the sound of snow falling and hear her footsteps.”