“Money was a problem. Money was always a problem no matter how many bones he crushed or how much blood he let or dues he paid. The fucking rent was always due.”
In this quote by Laird Barron, the speaker highlights the perpetual struggle with financial issues. By emphasizing that "money was always a problem," the speaker portrays a sense of frustration and helplessness despite their efforts to make ends meet. The repetition of "money" and "problem" underscores the overwhelming nature of their financial predicament. Additionally, the mention of "bones he crushed" and "blood he let" suggests that the speaker has resorted to desperate or violent measures in attempts to overcome their financial struggles, further highlighting the desperation inherent in their situation. Ultimately, the quote conveys a sense of inevitability and resignation in the face of unrelenting financial obligations.
In this quote by Laird Barron, the theme of financial struggle is highlighted. Despite the character's efforts to make ends meet through violent means, the never-ending cycle of bills and expenses serves as a poignant reminder of the ubiquitous nature of money troubles in today's society. In a world where the rising cost of living continues to outpace wage growth for many individuals, the sentiment conveyed in this quote remains relevant as ever.
Here is a powerful quote from Laird Barron highlighting the constant struggle with financial issues that many people face.
“Money was a problem. Money was always a problem no matter how many bones he crushed or how much blood he let or dues he paid. The fucking rent was always due.” - Laird Barron
In this quote from Laird Barron, the protagonist is facing financial struggles despite their best efforts. This sentiment may resonate with many individuals who continually feel the pressure of financial obligations. As you reflect on this quote, consider the following questions:
“The human condition can be summed up in a drop of blood. Show me a teaspoon of blood and I will reveal to thee the ineffable nature of the cosmos, naked and squirming. Squirming. Funny how the truth always seems to do that when you shine a light on it.”
“Ye wanna steer clear o' 'im and 'is little friends. Ye shall come to a nasty end nosin' 'bout that gent."The Spy knew the refrain. He wondered aloud as to the nature of these little friends."Ain't ever seen 'em, just 'eard of 'em. Cripples and deformed ones. Some ain't got no arms or legs is what I 'ear. they crawl along behind 'im, see? Wrigglin' in the dirt all ruddy worm-like.""He's got an entourage of folk without arms," the Spy said, raising his brows toward the brim of his cocked hat. "Or legs. Following him wherever he goes.""Some got arms, some don't. Some got legs, some don't. Some got neither. That's what I 'ear." The farmer shrugged, made the sign of warding again, and would say no more on the matter.”
“...he was trapped in the electrochemical web of cognition, wherein curiosity leads into temptation, temptation leads into fear, and fear is considered an impulse to be mastered.”
“Your father had other plans for you. Alas, his breakdown and untimely demise derailed everything he'd worked to accomplish. He would not approve of your quixotic pursuit of Imogene. She became embroiled in his vendetta with the forces of darkness, as it were. No sense following her into oblivion."Conrad said, "You talk a lot for a guy on oxygen.”
“Enlightenment is its own reward, its own punishment. You begin to see so much more. And so much more sees you.”
“but art is not relative to perfection in any tangible sense. It is our coarse antennae trembling blindly as it traces the form of Origin, tastes the ephemeral glue welding us, yearning after the secret of ineluctable evolution, and wonders what this transformation will mean. In my mind, here was the best kind of art—the kind hoarded by rich and jealous collectors in their locked galleries; hidden from the eyes of the heathen masses, waiting to be shared with the ripe few”