“Literary style is like crystal-ware: the cleaner the wineglass, the brighter the brilliance. As a reader, I agree with those who believe that a colour of the dress, which a character has on, as well as any enumeration and description of dishes at dinner or in the kitchen should be mentioned only in case if all this has a strong consequent relation to the plot, but as an author, I can’t help mentioning all this, with no particular reason, just for love for my characters, desiring to give them something nice and pleasant. Melancholy grows a platinum rose. Affection grows a double rose.”

“I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot—you know, beginning, middle and end--that has forward motion. I don’t like series books that leave you hanging after you’ve finished a book and in my own fiction I try to make sure that there’s always an entry point for those who are new to the book as well as long-time readers.”

“I should prefer that you do not mention my name at all in connection with this case, as I choose to be only associated with those crimes which present some difficulty in their solution.”

“I don't know if nice people tend to grow roses, or growing roses tends to make people nice.”

“My friend, in working upon a case, one does not take into account only the things that are "mentioned". There is no reason to mention many things which may be important. Equally, there is often an excellent reason for not mentioning them.”

“I hated roses. I hated them for being so trite, so clichéd, a default, all-purpose flower that said I love you, I'm sorry, and get well soon. Give me peonies and tulips, orchids or gardenia. Those were flowers with character.”