“Don't get me wrong - I was not a Nazi, and in my eyes Hitler seemed like some absurd character in an operetta. But, it would have been almost impossible not to be infected by the optimism about the future, which was rife among ordinary people in Hamburg. - Henrik Vanger”

“Like some people in life, a lot of my characters have no future.”

“On my mental instant replay, I realized that obliquely comparing his family to the Nazis was maybe not my finest moment. He was quiet a second, and then he said, 'Did you know that Hitler anted to be an artist, but since he couldn't get into art school, he turned into a Nazi?' 'Yes, I remember that.' 'Just imagine if he got into art school, the whole world would be different.' I said, 'It just shows that people should be allowed to be who they are. If they can't, then they turn into nasty, sad people.' He started to laugh. 'What if you went to the art gallery, and the guy was like, "Here you see a beautiful Monet, and here on your left is an early Hitler." Wouldn't that be weird?' I couldn't think of any subtle way to turn it back around again. He said, 'You would go to the gift shop and buy Hitler postcards, and you'd go, "Oh, look at this beautiful Hitler. I'm going to hang it in my room!" And people would wear Hitler t-shirts.' 'Yes,' I said. 'That would have been better.”

“It [speaking with words that bring about harmony] consists of speaking of what is good about people, instead of what is wrong with them. For some people this is an almost impossible exercise, for they have become totally habituated to speaking critically. We all seem to have a special talent for finding critical things to say about the world, about others, and about ourselves! (117)”

“I sat there for a moment and thought about my mom. It was her groans of pain that would get me the most. Sometimes they didn’t even sound human. Sometimes she sounded like a cow, and for some weird reason, that made me think about hamburgers and I suddenly realized how starved I was.”

“Now it turns out that a few broadsheet film critics in Britain do indeed belong to a category of people who would have resisted Hitler when he came to power. So the great shame is, clearly film critics should have been running Austria at the time, because Hitler would have represented no problem to them at all. [The Guardian's] Peter Bradshaw would have known exactly what to do, and he would not have been remotely fallible to any Nazi who threatened his life. No, he would have died in heroic acts of individual resistance. So it's a privilege to live among people who enjoy such moral certainty.”