“Then you came and I started to feel again. I started to think there was a reason I survived, that you were my reason. But nothing's so simple, is it? I didn't protect you. Here you are hurting so bad, and I can't even help. I'm just here and I need you. That's all it comes to. I need you to be brave when I haven't been. I know how hard it is. Look at me. Look at what's happened to me. Jesus, I feel like I'll be crying for the next century." He bent his head, pressed his tear-wet cheek to her dry cold skin. "But I'm here. I'm not hiding anymore. Princess, I'm asking you. Come back to me. You're my life.”

“If I feel the urge to burst into flames, I'll let you know," Simon was getting fed up. "Look, did you actually ask me to come all the way uptown just so you could stare at me like I'm something in a petrie dish? Next time I'll send you a photo.""And I'll frame it and put it on my nightstand," Jace said, but he didn't sound as if his heart was in the sarcasm. "Look, I asked you here for a reason, not to stare at you. Much as I hate to admit it, vampire, we have something in common.""Totally awesome hair?" Simon suggested”

“Shit comes up, I'm here to help you sort it out and, baby, I like where I am a fuckuca lot because you are real, that's the whole reason I like where I am," he grinned again, "outside the fact you're fuckin' gorgeous, you got great fuckin' legs, you look good in clothes and a fuckuva lot better out of them. His grin faded, his eyes changed, they warmed in a way they warmed me and he finished, "So don't worry about that. If it happens, roll with it, I'm here and I'll roll with it with you.”

“Peter, when you feel like this, i just want you to include me. It's fine that you come here, just tell me. I wanna understand what you're going through and I need you to understand what i'm going through.”

“So you were checking up on me?" I aks"No," Noah says. He puts a faux-shocked look on his face, then turns back to his magazine, pretending to be engrossed. I take the magazine our of his hand and toss it back onto the table."That's good," I say, "That you weren't checking up on me. Because I'm totally fine.""I know." He shrugs."And I don't need to be checked up on.""Definitely not.""I'm perfectly capable of taking care of myself.""Perfectly.""So we agree.""Yup.""So then where are you clothes?""What?""Your clothes," I say. "Where are your clothes? You came to the Laundromat so you must have some clothes." I fold my arms across my chest and wait,"Oh, my clothes," he says, giving me an easy grin. "I didn't come here to do laundry.""Oh, really?" I say. "The what were you here to do?""I was here," he says, rolling his eyes like it should be obvious, "so I could go across the street to Cooley's and check my schedule for the week.""And you just happened to see me coming into the Laundromat?""Exactly,”

“I remember a man, a very lonely man, coming up to me at the end of a reading and looking into my face and saying, 'I feel as if I have looked down a corridor and seen into your soul.' And I looked at him and said, 'You haven't.' You know, Here's the good news and the bad news: you haven't! I made something, and you and I could look at it together, but it's not me; you don’t live with me; you're not intimate with me. You're not the man I live with or my friend. You will never know me in that way. I'm making something, like Joseph Cornell makes his boxes and everyone looks into them, but it's the box you look into; it's not the man or the woman. It's alchemy of language and memory and imagination and time and music and sounds that gets made, and that's different from 'Here is what happened to me when I was ten.”