“Gran was just being polite. Southern people are supposed to be polite and gracious. She's trying to show me how to be the same way.”

“Politics is just show business for ugly people.”

“Being polite is not only the right way to respond to people but also the easiest.”

“All of that art-for-art’s-sake stuff is BS,” she declares. “What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren’t writing about kings? All good art is political! There is none that isn’t. And the ones that try hard not to be political are political by saying, ‘We love the status quo.’ We’ve just dirtied the word ‘politics,’ made it sound like it’s unpatriotic or something.” Morrison laughs derisively. “That all started in the period of state art, when you had the communists and fascists running around doing this poster stuff, and the reaction was ‘No, no, no; there’s only aesthetics.’ My point is that is has to be both: beautiful and political at the same time. I’m not interested in art that is not in the world. And it’s not just the narrative, it’s not just the story; it’s the language and the structure and what’s going on behind it. Anybody can make up a story.”

“It was always so hot, and everyone was so polite, and everything was all surface but underneath it was like a bomb waiting to go off. I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.”

“I was back to being polite, the well-tempered paranoid. I didn't have much of a choice. If I wasn't polite, they could stick me with those needles or put me back in that little room or take away my visitor privileges or any number of other things. Besides, there didn't seem to be any urgency or anything to be gained by not being polite, the way there had been before. So I was polite. There was time.”