“He sits next to me, careful to avoid my hair that's splayed out around my head like blood. A bullet to the forehead, boom, blond waves everywhere.”

“The sullen boy sitting before me is not my husband, and the girl he is fretting over isn't me, will never be me.”

“I open my mouth to, I don't know, apologize again maybe. But he takes my face in his hands and presses his forehead to mine. And he's so close that I can feel his little warm breaths, and all I know is that when he draws his next breath, I want to get sucked in.Our lips touched, almost as soft as not touching at all. Then they press closer to each other, draw back uncertainly, touch again. There is warmth shooting through my broken body where there should be pain, and I put my arms around the back of his neck and I hold on to him. I hold on because you never know in this place when something good will be taken away.”

“My uncle used to let me pretend they were bricks," Linden says, startling me. He eases a thick hardcover from the shelf, hefts it in either hand, and then places it back. "I like to build houses out of them. They never came out exactly like I'd planned, but that's good. It taught me that there are three versions of things: the one I see in my mind, and the one that carries onto the paper, and then what it ultimately becomes."For some reason I'm finding it difficult to meet his eyes. I nod at one of the lower shelves and say, "Maybe it's because in your mind you don't have to worry about building materials. So you're not as limited.""That's astute," he says. He pauses. "You've always been astute about things.”

“Do you know what my father used to say?" I ask her. "He used to say that songs had a heart. A crescendo that can make all your blood rush from your head to your toes.”

“I can hear my brother's voice in my head. Your problem is that you're too emotional.But how can I not be emotional, Rowan? How can I not care?”

“He kissed back, all the pages spread out around us like riddles waiting to be solved. Let them wait. Let my genes unravel, my hinges come loose. If my fate rests in the hands of a madman, let death come and bring its worse. I'll take the ruined craters of laboratories, the dead trees, this city with ashes in the oxygen, if it means freedom. I'd sooner die here than live a hundred years with wires in my veins.”