“I draw back,gently step out of his hands that gripped my shoulders and were just edging their way to either side of my throat”

“I open my mouth to, I don't know, apologize again maybe. But he takes my face in his hands and presses his forehead to mine. And he's so close that I can feel his little warm breaths, and all I know is that when he draws his next breath, I want to get sucked in.Our lips touched, almost as soft as not touching at all. Then they press closer to each other, draw back uncertainly, touch again. There is warmth shooting through my broken body where there should be pain, and I put my arms around the back of his neck and I hold on to him. I hold on because you never know in this place when something good will be taken away.”

“I liked just being with you. I liked the way you breathed when you were asleep. I liked when you took the champagne glass from my hand. I liked how your fingers were always too long for your gloves.”

“I figured it out eventually," she says. She's sitting on the edge of the gurney again; her features slowly materialize as my vision clears. "It's momentum.""What?" I whisper. The feeling returning to my lips, spreading out to my fingertips and toes."Momentum," she repeats. "You can't just stand there if you want something to fly. You have to run.”

“My uncle used to let me pretend they were bricks," Linden says, startling me. He eases a thick hardcover from the shelf, hefts it in either hand, and then places it back. "I like to build houses out of them. They never came out exactly like I'd planned, but that's good. It taught me that there are three versions of things: the one I see in my mind, and the one that carries onto the paper, and then what it ultimately becomes."For some reason I'm finding it difficult to meet his eyes. I nod at one of the lower shelves and say, "Maybe it's because in your mind you don't have to worry about building materials. So you're not as limited.""That's astute," he says. He pauses. "You've always been astute about things.”

“She strokes my cheeks with the side of her hand – a repetitive, wispy motion. Like little ghost kisses.”

“When I call his name, it’s a sound almost entirely out of my control. It soars over the crowd and hits him. Even from where I’m standing, I can tell that he recognized my voice. Hastily he unwinds himself from the girl, stands to attention like an animal sensing danger. And I try to call him again, but that word, that name, was all I had the energy for. I barely have the strength left to stand.I wait helplessly for him to find the sound, and when he does, when his heterochromatic eyes meet mine, my mouth forms the word again, but just barely. The girl at his side disappears. The crowd blurs into senseless shapes and colors. I can’t feel my heart or my body or the heat of the flames.I can only see his face—his bewildered, beautifully familiar face.”