“And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry...”

“ the hardest studio music to play is Tom & Jerry -- cartoons. The music makes absolutely no sense, as music. You can't get into hearing it. There's nothing to hear--'bleep!, blop! scratch!' and it comes fast; everything's first take. That'll change the way you look at life.”

“A good compilation tape, like breaking up, is hard to do. You've got to kick off with a corker, to hold the attention (I started with 'Got To Get You Off My Mind', but then realised that she might not get any further than track one, side one if I delivered what she wanted straight away, so I buried it in the middle of side two), and then you've got to up it a notch, and you can't have white music and black music together, unless the white music sounds like black music, and you can't have two tracks by the same artist side by side, unless you've done the whole thing in pairs, and ... oh there are loads of rules.”

“Wherever I go the music playing is always something I like. I never hear music I hate.""If you never hear it, how do you know what music you don't like?" I asked, not sure if I'd made any sense. It was spinny trying to figure it out. Didn't you know what you liked in contrast to what you didn't? But if he only heard music he liked, he'd never have any contrast. Did that mean he liked everything?”

“There is a music for lonely hearts nearly always. If the music dies down there is a silence. Almost the same as the movement of music. To know silence perfectly is to know music.”

“If you really want to know something about me, you should know this: I like my music loud.”