“Who taught you to go around falling on rats ans squishing on hats? Terrible, terrible. Must always be mindful of your manners.”

“People do terrible things, sometimes, for the best reasons.”

“Both of us will die today, gunned down or smashed up or exploded in some terrible moment of fire and twisted metal, and when they go to bury us we'll be so melted together and entwined they won't be able to separate the bodies; pieces of him will go with me, and pieces of me will go with him.”

“. . . Liesl & Po is the embodiment of what writing has always been for me at its purest and most basic - not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying, And, of course, it is a way of finding a happy ending - even, or especially, when the happy ending is denied me in real life. Let it be an escape for its readers. For me, it is a way of not letting go.”

“Additionally, Liesl and Po is the embodiment of what writing has always been for me at its purest and most basic--not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying. (From the "Author's Note" at the end).”

“This is what amazes me: that people are new every day. That they are never the same. You must always invent them, and they must always invent themselves, too.”

“Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of cold things, and days that look like darkness.”