“I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I’ll still be questing after just that right combination of words.”

“Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.”

“For a long moment, he held her gaze without speaking, simply letting the impact of words sink in, before adding rapidly, as though he wished to get it over with as quickly as possible, "I won't deny that you're beautiful. No mirror could tell you otherwise. But there are beautiful women for the buying in any brothel in London. Oh yes, and the ballrooms, too, if one has the proper price. It wasn't your appearance that caught me. It was the way you put me down in the gallery at Sibley Court." Vaughn's lips curved in a reminiscent smile. "And the way you tried to bargain with me after.""Successfully bargained," Mary corrected."That," replied Lord Vaughn, "is exactly what I mean. Has anyone ever told you that you haggle divinely? That the simple beauty of your self-interest is enough to bring a man to his knees?"Mary couldn't in honesty say that anyone had.Vaughn's eyes were as hard and bright as silver coins. "Those are the reasons I want you. I want you for your cunning mind and your hard heart, for your indomitable spirit and your scheming soul, for they're more honest by far than any of the so-called virtues.""The truest poetry is the most feigning?" Mary quoted back his own words to him."And the most feigning is the most true.”

“They were close enough that he could feel the hurried beat of her heart. He could feel Charlotte's indecision in every word she didn't say and every move she didn't make. She was tense with uncertainty, quivering with irresolution. She might not be leaning into him, but she wasn't pulling away, either.”

“Hard to believe that so nearby, just across the Channel, such atrocities could still occur in their supposedly civilized world, that one could wake up one morning and find oneself bereft of brothers, parents, friends, all with the slice of an ax.”

“Colin mustered a perfunctory leer, but his mind was obviously elsewhere. 'Do you know...' he began.I knew many things, but I didn't think he needed to hear the entirety of the Prologue to the Canterbury Tales right at just this moment.”

“The leaves do fad and fall away, / Berries rot and sheaves decay; / The deer is fled back to the field. / That is all your promises yield. / All wind and words, your vows, I see, / Are barren as the fruitless tree.”