“It is a truth universally acknowledged that one only comes up with clever, cutting remarks long after the other party is happily slumbering away.”

“They were a strange and mercantile people, these Americans. One never knew what they might come up with next.”

“Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.”

“It would be, like all of Pammy's parties, hot and crowded and filled with impossibly glamorous people with hip bones so sharp they could qualify as concealed weapons.”

“But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.”

“Hard to believe that so nearby, just across the Channel, such atrocities could still occur in their supposedly civilized world, that one could wake up one morning and find oneself bereft of brothers, parents, friends, all with the slice of an ax.”

“I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I’ll still be questing after just that right combination of words.”