“Miles was still mourning the loss of his Romantic Plan. 'There was going to be champagne, and oysters, and you' -- he held out both hands as though shifting a piece of furniture -- 'were going to be sitting there, and I was going to get down on one knee, and...and...”

“For a long moment, he held her gaze without speaking, simply letting the impact of words sink in, before adding rapidly, as though he wished to get it over with as quickly as possible, "I won't deny that you're beautiful. No mirror could tell you otherwise. But there are beautiful women for the buying in any brothel in London. Oh yes, and the ballrooms, too, if one has the proper price. It wasn't your appearance that caught me. It was the way you put me down in the gallery at Sibley Court." Vaughn's lips curved in a reminiscent smile. "And the way you tried to bargain with me after.""Successfully bargained," Mary corrected."That," replied Lord Vaughn, "is exactly what I mean. Has anyone ever told you that you haggle divinely? That the simple beauty of your self-interest is enough to bring a man to his knees?"Mary couldn't in honesty say that anyone had.Vaughn's eyes were as hard and bright as silver coins. "Those are the reasons I want you. I want you for your cunning mind and your hard heart, for your indomitable spirit and your scheming soul, for they're more honest by far than any of the so-called virtues.""The truest poetry is the most feigning?" Mary quoted back his own words to him."And the most feigning is the most true.”

“I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I’ll still be questing after just that right combination of words.”

“Colin mustered a perfunctory leer, but his mind was obviously elsewhere. 'Do you know...' he began.I knew many things, but I didn't think he needed to hear the entirety of the Prologue to the Canterbury Tales right at just this moment.”

“As a historian, I found myself all too often treating my historical subjects like fictional characters, malleable entities that could be made to do one thing or another, whose motivations could be speculated upon endlessly, and whose missing actions could be reconstructed and approximated based on assessments of prior and later behaviors. It was one of the hazards with working a fragmentary source base. You had little scraps, like puzzle pieces, and you could put them together as best you could. But no matter how faithful you tried to be to the historical record, there would always be that element of guesswork, of imagination, of (if we're being totally honest) fiction.”

“Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.”

“Mr. Alsworthy!” exclaimed Letty’s mother. “How can you laugh at such a matter! Although, I must say, I would have thought if a pirate were to kidnap anyone, he would kidnap Mary. She looks quite as I did in my youth, and I’m sure a pirate would have wanted to kidnap me.”“Don’t taunt me with lost opportunities, my dear.”