“The hand of bone and sinew and flesh achieves its immortality in taking up a pen. The hand on a page wields a greater power than the fleshly hand ever could in life.”

“She wanted him. Not in the sweet way of poetry, though there was that music in the symmetry of his body, in the careful meshing of bone and sinew and flesh that made him.Her want was raw. Physical. She felt it in the palms of her hands and the flesh of her lips and the heaviness of her breasts.In her life, she’d been hungry, and thirsty. She’d needed sleep. She had never, in her life, needed to touch a man.”

“They belong to their readers now, which is a great thing–because the books are more powerful in the hands of my readers than they could ever be in my hands.”

“Bones are patient. Bones never tire nor do they run away. When you come upon a man who has been dead many years, his bones will still be lying there, in place, content, patiently waiting, but his flesh will have gotten up and left him. Water is like flesh. Water will not stand still. It is always off to somewhere else; restless, talkative, and curious. Even water in a covered jar will disappear in time. Flesh is water. Stones are like bones. Satisfied. Patient. Dependable. Tell me, then, Alobar, in order to achieve immortality, should you emulate water or stone? Should you trust your flesh or your bones?”

“I hold myself supremely blest -- blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh.”

“They dream of men with gentle hands, eloquent with tenderness, fingers that brushed along a cheek, that outlined open lips in the lovers' braille. Hands that sculpted sweetness from sullen flesh, that traced breast and ignited hips, opening, kneading. Flesh becomes bread in the heat of those hands, braided and rising.”