“I am just a refugee from the long slow toothache of English life. It is terrible to love life so much you can hardly breathe!”
“It is a pity indeed to travel and not get this essential sense of landscape values. You do not need a sixth sense for it. It is there if you just close your eyes and breathe softly through your nose; you will hear the whispered message, for all landscapes ask the same question in the same whisper. 'I am watching you -- are you watching yourself in me?' Most travelers hurry too much...the great thing is to try and travel with the eyes of the spirit wide open, and not to much factual information. To tune in, without reverence, idly -- but with real inward attention. It is to be had for the feeling...you can extract the essence of a place once you know how. If you just get as still as a needle, you'll be there.”
“I have done so many things in my life," she said to the mirror. "Evil things, perhaps. But never unattentively, never wastefully...was I wrong?”
“She took kisses like so many coats of paint […] how long and how vainly I searched for excuses which might make her amorality if not palatable at lest understandable. I realize now the time I wasted in this way; instead of enjoying her and turning aside from these preoccupations with the thought, ‘She is untrustworthy as she is beautiful. She takes love as plants do water, lightly, thoughtlessly.”
“In these days Melissa's absorbed and provoking gentleness had all the qualities of a rediscovered youth. Her long uncertain fingers - I used to feel them moving over my face when she thought I slept, as if to memorize the happiness we had shared. In her there was a pliancy, a resilience which was Oriental - a passion to serve. My shabby clothes - the way she picked up a dirty shirt seemed to engulf it with an overflowing solicitude; in the morning I found my razor beautifully cleaned and even the toothpaste laid upon the brush in readiness. Her care for me was a goad, provoking me to give my life some sort of shape and style that might match the simplicity of hers. Of her experiences in love she would never speak, turning from them with a weariness and distaste which suggested that they had been born of necessity rather than desire. She paid me the comlpiment of saying: "For the first time I am not afraid to be light-headed or foolish with a man".”
“Any concentration of the will displaces life and gives it bias in motion. Reality, he believed, was always trying to copy the imagination of man, from which it derived.”
“There are only three things to be done with a woman. You can love her, suffer for her, or turn her into literature.”