“There's a queer streak in human natures. Men come back to places for secret reasons, for feelings they cannot resist.'More than men come back,” I said.”
“I tell you, my idea of a ghost is something quite different. Dead men rise up never – read even your poets. Ghosts breed in the living.”
“Automatically, like all healthy, normal beings, I deny the existence of horror...”
“In the dark places of yourself, thinking machines you never get near enough to see are constantly building things and running their own secretive programmes all of their own. Maybe you get a snippet of what's going on back there, like this fragment of a song drifting its way into the light, or a phrase, or an image, or maybe just a mood, a wash of content of a bleak draining of colour that floods your chest and your stomach more than it ever finds its way into the bight halogen chrome of your mind.”
“You know,' she said, 'that until you come here again, we’re all waiting for you. Not just me, but these fields, the house, that toad we nearly stepped on back there in the woods. We’re all here, waiting. Because we’re yours now. We belong to you. You’ve a whole other world here, Erzsi, you see. And every summer, the sun won’t shine until you come. Not for us.”
“culture comes into play at precisely the point where biological individuals become subjects, and that what lies between the two is not some automatically constituted ‘natural’ process of socialization but much more complex processes of formation”
“There is no valid reason for the perennial Christian preference of biography, history, and the newspaper to fiction and poetry. The former tell us what happened, while literature tells us what happens. The example of the Bible, which is central to any attempt to formulate a Christian approach to literature, sanctions the imagination as a valid form of truth. The Bible is in large part a work of imagination. Its most customary way of expressing truth is not the sermon or the theological outline, but the story, the poem, and the vision--all of them literary forms and products of the imagination (though not necessarily the fictional imagination). Literary conventions are present in the Bible from start to finish, even in the most historically factual parts.”