“It is untrue that fiction is nonutilitarian. The uses of fiction are synonymous with the uses of literature. They include refreshment, clarification of life, self-awareness, expansion of our range of experiences, and enlargement of our sense of understanding and discovery, perception, intensification, expression, beauty , and understanding. Like literature generally, fiction is a form of discovery, perception, intensification, expression, beauty, and understanding. If it is all these things, the question of whether it is a legitimate use of time should not even arise.”

“There is no valid reason for the perennial Christian preference of biography, history, and the newspaper to fiction and poetry. The former tell us what happened, while literature tells us what happens. The example of the Bible, which is central to any attempt to formulate a Christian approach to literature, sanctions the imagination as a valid form of truth. The Bible is in large part a work of imagination. Its most customary way of expressing truth is not the sermon or the theological outline, but the story, the poem, and the vision--all of them literary forms and products of the imagination (though not necessarily the fictional imagination). Literary conventions are present in the Bible from start to finish, even in the most historically factual parts.”

“Earlier in this century someone claimed that we work at our play and play at our work. Today the confusion has deepened: we worship our work, work at our play, and play in our worship.”

“There are those who don't understand the nobility of horror fiction. 'Isn't there enough horror in the world?' they ask. For all other forms of literature, the value of human life is optional. For horror fiction, it's absolutely necessary. If we don't value the life of the threatened protagonist, we can't be scared. And through our fear, we better understand the individual fears and values of our species across the world.”

“To achieve lasting literature, fictional or factual, a writer needs perceptive vision, absorptive capacity, and creative strength.”

“You see, it's really quite simple. A simile is just a mode of comparison employing 'as' and 'like' to reveal the hidden character or essence of whatever we want to describe, and through the use of fancy, association, contrast, extension, or imagination, to enlarge our understanding or perception of human experience and observation.”

“One may lack words to express the impact of beauty but no one who has felt it remains untouched. It is renewal, enlargement, intensification. The parks preserve it permanently in the inheritance of the American citizens.”