“For some stories, it's easy. The moral of 'The Three Bears,' for instance, is "Never break into someone else's house.' The moral of 'Snow White' is 'Never eat apples.' The moral of World War I is 'Never assassinate Archduke Ferdinand.”

“The moral of Snow White is never eat apples.”

“We should never present flesh as somehow morally distinguishable from dairy. To the extent it is morally wrong to eat flesh, it is as morally wrong — and possibly more morally wrong — to consume dairy”

“Never fly commercial. That's the moral of this story.”

“A lot of (children's literature) beginners get bogged down by morals. A moral should never be driving the story. And a moral should never be confused with a plot. You can't preach to kids, and you can't talk down to them, either. It's amazing how they sense condescension.”

“I will tell you, too, that every fairy tale has a moral. The moral of my story may be that love is a constraint, as strong as any belt. And this is certainly true, which makes it a good moral. Or it may be that we are all constrained in some way, either in our bodies, or in our hearts or minds, an Empress as well as the woman who does her laundry. ... Perhaps it is that a shoemaker's daughter can bear restraint less easily than an aristocrat, that what he can bear for three years she can endure only for three days. ... Or perhaps my moral is that our desire for freedom is stronger than love or pity. That is a wicked moral, or so the Church has taught us. But I do not know which moral is the correct one. And that is also the way of a fairy tale.”