“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

“Nimrod began to understand that what he was experiencing was, in spite of its appearance of novelty, something which had existed before–many times before. His body began to recognize situations, impressions, and objects. In reality, none of there astonished him very much. Faced with new circumstances, he would dip into the fount of his memory, the deep-seated memory of the body, would search blindky and feverishly, and often find ready made within himself a suitable reaction: the wisdom of generations, deposited in his plasma, in his nerves. He found actions and decisions of which he had not been aware but which had been lying in wait, ready to emerge.”

“A thing that had always struck her about the child was that he seemed so collected. She had never seen him cry. And now she realized that his calmness was some instinctive shame of showing his feelings; he hid himself to weep.”

“Walk to her. Take her hand. But his feet were leaden, and Dorian could do nothing except watch her. His skin flushed beneath his small black mask. He didn't know why, but seeing her made him feel like a man. She was something out of a dream- a dream in which he was not a spoiled young prince, but a king.”

“Reggie made him feel like he was nine years old and out for dinner with his family at the Ponderosa Steak House and he had run into his French teacher and his mother invited her to dine with him.Reggie made him feel like he was sitting in a public bathroom stall and someone had come into the bathroom and began singing a song about what a stinky bastard he was while he was in there sweating it out.Reggie made him feel like someone had taken the red Tonka fire engine he had always wanted and painfully corkscrewed it down the front of his jeans.Reggie made him feel like the ice cream man had just rolled by and all his dead grandparents were mooning him out the truck window.”

“He was dimly angry with himself, he did not know why. It was that he had struck his wife. He had forgotten it, but was miserable about it, notwithstanding. And this misery was the voice of the great Love that had made him and his wife and the baby and Diamond, speaking in his heart, and telling him to be good. For that great Love speaks in the most wretched and dirty hearts; only the tone of its voice depends on the echoes of the place in which it sounds. On Mount Sinai, it was thunder; in the cabman's heart it was misery; in the soul of St John it was perfect blessedness.”