“Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess of stored-up energy; it is not the expression of man's emotions by external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but it is a means of union among men, joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity.”
“Art begins when a man, with a purpose of communicating to other people a feeling he once experienced, calls it up again within himself and expresses it by certain external signs.”
“But a man’s relationship to the world is determined not just by his intellect but by his feelings and by his who aggregate of spiritual forces. However much one implies or explains to a person that all that truly exists is no more than an idea, or that everything is made up of atoms, or that the essence of life is substance or will, or that heat, light, movement and electricity are only manifestations of one and the same energy; however much you explain this to a man—a being who feels, suffers, rejoices, fears and hopes—it will not explain his place in the universe.”
“One of the commonest and most generally accepted delusions is that every man can be qualified in some particular way -- said to be kind, wicked, stupid, energetic, apathetic, and so on. People are not like that. We may say of a man that he is more often kind than cruel, more often wise than stupid, more often energetic than apathetic or vice versa; but it could never be true to say of one man that he is kind or wise, and of another that he is wicked or stupid. Yet we are always classifying mankind in this way. And it is wrong. Human beings are like rivers; the water is one and the same in all of them but every river is narrow in some places, flows swifter in others; here it is broad, there still, or clear, or cold, or muddy or warm. It is the same with men. Every man bears within him the germs of every human quality, and now manifests one, now another, and frequently is quite unlike himself, while still remaining the same man.”
“To say that a work of art is good, but incomprehensible to the majority of men, is the same as saying of some kind of food that it is very good but that most people can’t eat it.”
“Thus the truth—that his life should be directed by the spiritual element which is its basis, which manifests itself as love, and which is so natural to man—this truth, in order to force a way to man’s consciousness, had to struggle not merely against the obscurity with which it was expressed and the intentional and unintentional distortions surrounding it, but also against deliberate violence, which by means of persecutions and punishments sought to compel men to accept religious laws authorized by the rulers and conflicting with the truth.”
“...but most of all he liked to listen to stories of real life. He smiled gleefully as he listened to such stories, putting in words and asking questions, all aiming at bringing out clearly the moral beauty of the action of which he was told. Attachments, friendships, love, as Pierre understood them, Karataev had none, but he loved and lived on affectionate terms with every creature with whom he was thrown in life, and especially so with man- not with any particular man, but with the men that happened to be before his eyes.But his life, as he looked at it, had no meaning as a separate life. It only had meaning as part of a whole, of which he was at all times conscious.”