“As soon as she had gone out, swift, swift light steps sounded on the parquet, and his bliss, his life, himself - what was best in himself, what he had so long sought and longed for - was quickly, so quickly approaching him. She did not walk but seemed, by some unseen force, to float to him. He saw nothing but her clear, truthful eyes, frightened by that same bliss of love that flooded his heart. Those eyes were shining nearer and nearer, blinding him with their light of love. She stopped close to him, touching him. Her hands rose and dropped on his shoulders.She had done all she could - she had run up to him and given herself up entirely, shyly, blissfully. He put his arms around her and pressed his lips to her mouth that sought his kiss.”

“Her glance, the touch of her hand, set him aflame. He kissed the palm of his hand where she had touched it, and went home, happy in the sense that he had got nearer to the attainment of his aims that evening…”

“Anna had been preparing herself for this meeting, had thought what she would say to him, but she did not succeed in saying anything of it; his passion mastered her. She tried to calm him, to calm herself, but it was too late. His feeling infected her. Her lips trembled so that for a long while she could say nothing.”

“She put both her hands on his shoulders and gazed at him long, with a deep look of ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not seen him. She compared, as she did at every interview with him, the image her fancy painted of him (incomparably finer than, and impossible in actual existence) with his real self”

“She picked up the book and then walked back past him into the tent, but as she did so, she brushed the top of his head lightly with her hand. He closed his eyes at her touch, and hated himself for wishing that what she said was true: that Dumbledore had really cared.”

“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene, behind her back. Helene moved forward so as to make room and, smiling, glanced around. As always at soirees, she was wearing a gown in the fashion of the time, quite open in front and back. Her bust, which had always looked like marble to Pierre, was now such a short distance from him that he could involuntarily make out with his nearsighted eyes the living loveliness of her shoulders and neck, and so close to his lips that he had only to lean forward a little to touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of her corset as she breathed. He saw not her marble beauty, which made one with her gown, he saw and sensed all the loveliness of her body, which was merely covered by clothes. And once he had seen it, he could not see otherwise, as we cannot return to a once-exposed deception.”

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”