“excuse me' he added, taking the opera glasses out of her hands and looking over her bare shoulder at the row of boxes opposite, 'i'm afraid i'm becoming ridiculous”
“But one thing I beg of you, look on me as your friend; and if you want some help, advice, or simply want to open your heart to someone- not now, but when things are clearer in your heart- think of me.' He took her hand and kissed it. 'I shall be happy, if I am able...' Pierre was confused.'Don't speak to me like that; I'm not worth it!' cried Natasha...'Hush, hush your whole life lies before you,' he said to her.'Before me! No! All is over for me,' she said, with shame and humiliation.'All over?' he repeated. 'If I were not myself, but the handsomest, cleverest, best man in the world, and if I were free I would be on my knees this minute to beg for your hand and your love.”
“Speak to her now? But that's just why I'm afraid to speak—because I'm happy now, happy in hope, anyway… . And then?… . But I must! I must! I must! Away with weakness!”
“When the examination was over, the doctor looked at his watch, and then Praskovya Fyodorovna informed Ivan Ilyich that it must of course be as he liked, but she had sent today for a celebrated doctor, and that he would examine him, and have a consultation with Mihail Danilovich (that was the name of his regular doctor). 'Don't oppose it now, please. This I'm doing entirely for my own sake,' she said ironically, meaning it to be understood that she was doing it all for his sake, and was only saying this to give him no right to refuse her request. He lay silent, knitting his brows. He felt that he was hemmed in by such a tangle of falsity that it was hard to disentangle anything from it. Everything she did for him was entirely for her own sake, and she told him she was doing for her own sake what she actually was doing for her own sake as something so incredible that he would take it as meaning the opposite.”
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene, behind her back. Helene moved forward so as to make room and, smiling, glanced around. As always at soirees, she was wearing a gown in the fashion of the time, quite open in front and back. Her bust, which had always looked like marble to Pierre, was now such a short distance from him that he could involuntarily make out with his nearsighted eyes the living loveliness of her shoulders and neck, and so close to his lips that he had only to lean forward a little to touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of her corset as she breathed. He saw not her marble beauty, which made one with her gown, he saw and sensed all the loveliness of her body, which was merely covered by clothes. And once he had seen it, he could not see otherwise, as we cannot return to a once-exposed deception.”
“He had never thought the question over clearly, but vaguely imagined that his wife had long suspected him of being unfaithful to her and was looking the other way. It even seemed to him that she, a worn-out, aged, no longer beautiful woman, not remarkable for anything, simple, merely a kind mother of a family, ought in all fairness to be indulgent. It turned out to be quite the opposite.”
“In that brief glance Vronsky has time to notice the restrained animation that played over her face and fluttered between her shining eyes and the barely noticeable smile that curved her red lips. It was as if a surplus of something so overflowed her being that it expressed itself beyond her will, now in the brightness of her glance, now in her smile. She deliberately extinguished the light in her her eyes, but it shone against her will in a barely noticeable smile.”