“[from Some words about 'War and Peace']In those days also people loved, envied, sought truth and virtue, and where carried away by passions; and there was the same complex mental and moral life among the upper classes, where were in some instances even more refined than now. If we have come to believe in the perversity and coarse violence of that period, that is only because the traditions, memoirs, stories, and novels that have been handed to us, record for the most part exceptional cases of violence and brutality. To suppose that the predominant characteristic of that period was turbulence, is as unjust as it would before a man, seeing nothing but the tops of trees beyond a hill, to conclude that there was nothing to be found in that locality but trees.”

“Sometimes he remembered having heard how soldiers under fire in the trenches, and having nothing to do, try hard to find some occupation the more easily to bear the danger. It seemed to Pierre that all men were like those soldiers, seeking refuge from life: some in ambition, some in cards, some in framing laws, some in women, some in playthings, some in horses, some in politics, some in sport, some in wine, and some in government service. 'Nothing is without consequence, and nothing is important: it's all the same in the end. The thing to do is to save myself from it all as best I can,' thought Pierre. Not to see IT, that terrible IT.”

“It would be good," thought Prince Andrei, glancing at the little image that his sister had hung around his neck with such reverence and emotion, "It would be good if everything were as clear and simple as it seems to Princess Marya . How good it would be to know where to seek help in this life, and what to expect after it, beyond the grave! How happy and at peace I should be if I could now say:" Lord have mercy on me!... But to whom should I say this? To some power--- indefinable and incomprehensible, to which I not only cannot appeal, but which I cannot express in words---The Great All or Nothing," he said to himself, "or to that God who has been sewn into this amulet by Marya? There is nothing certain, nothing except the nothingness of everything that is comprehensible to me, and the greatness of something incomprehensible but all important!”

“According to the biblical tradition the absence of work -- idleness -- was a condition of the first man's state of blessedness before the Fall. The love of idleness has been preserved in fallen man, but now a heavy curse lies upon him, not only because we have to earn our bread by the sweat of our brow, but also because our sense of morality will not allow us to be both idle and at ease. Whenever we are idle a secret voice keeps telling us to feel guilty. If man could discover a state in which he could be idle and still feel useful and on the path of duty, he would have regained one aspect of that primitive state of blessedness. And there is one such state of enforced and irreproachable idleness enjoyed by an entire class of men -- the military class. It is this state of enforced and irreproachable idleness that forms the chief attraction of military service, and it always will.”

“[from Some words about 'War and Peace']For a historian considering the achievement of a certain aim, there are heroes; for the artist treating of a man's relation to all sides of life there cannot and should not be heroes, but there should be men.[...]The historian has to deal with the results of an event, the artist with the fact of the event. An historian in describing a battle says: 'The left flank of such and such an army was advanced to attack such and such a village and drove out the enemy, but was compelled to retire; then the cavalry, which was sent to attack, overthrew...' and so on. But these words have no meaning for the artist and do not actually touch on the event itself. Either from his own experience, or from the letters, memoirs, and accounts, the artist realizes a certain event to himself, and very often (to take the example of a battle) the deductions the historian permits himself to make as to the activity of such and such armies prove to be the very opposite of the artist's deductions. The difference of the results arrived at is also to be explained by the sources from which the two draw their information. For the historian (to keep to the case of a battle) the chief source is found in the reports of the commanding officers and the commander-in-chief. The artist can draw nothing from such sources; they tell him nothing and explain nothing to him. More than that: the artist turns away from them as he finds inevitable falsehood in them. To say nothing of the fact that after any battle the two sides nearly always describe it in quite contradictory ways, in every description of a battle there is a necessary lie, resulting from the need of describing in a few words the actions of thousands of men spread over several miles, and subject to most violent moral excitement under the influence of fear, shame and death.”

“But all these hints at foreseeing what actually did happen on the French as well as on the Russian side are only conspicuous now because the event has justified them. If the event had not come to pass, these hints would have been forgotten, as thousands and millions of suggestions and supposition are now forgotten that were current at the period, but have been shown by time to be unfounded and so have been consigned to oblivion.”

“How good it would be to know where to look for help in this life and what to expect after it, there, beyond the grave! How happy and calm I'd be, if I could say now: Lord, have mercy on me! ... But to whom shall I say it? Either it is an indefinable, unfathomable power, which I not only cannot address, but which I cannot express in words - the great all or nothing...or it is that God of whom Princess Marya has sewn in here, in this amulet? Nothing, nothing is certain, except the insignificance of everything I can comprehend and the grandeur of something incomprehensible but most important!”