“Nikolushka and his upbringing, Andre, and religion were Princess Marya's comforts and joys; but, besides that, since every human being needs his personal hope, Princess Marya had in the deepest recesses of her soul a hidden dream and hope, which provided the main comfort of her life.”

“The latter part of her stay in Voronezh had been the happiest period in Princess Marya's life. Her love for Rostov was not then a source of torment or agitation to her. That love had by then filled her whole soul and become an inseparable part of herself, and she no longer struggled against it. Of late Princess Marya was convinced- though she never clearly in so many words admitted it to herself- that she loved and was beloved.”

“It would be good," thought Prince Andrei, glancing at the little image that his sister had hung around his neck with such reverence and emotion, "It would be good if everything were as clear and simple as it seems to Princess Marya . How good it would be to know where to seek help in this life, and what to expect after it, beyond the grave! How happy and at peace I should be if I could now say:" Lord have mercy on me!... But to whom should I say this? To some power--- indefinable and incomprehensible, to which I not only cannot appeal, but which I cannot express in words---The Great All or Nothing," he said to himself, "or to that God who has been sewn into this amulet by Marya? There is nothing certain, nothing except the nothingness of everything that is comprehensible to me, and the greatness of something incomprehensible but all important!”

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's flattering me," thought the princess, and she turned away and went on reading. Julie, however, was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous (sometimes it was as if rays of light came from them in sheaves), were so beautiful that very often, despite the unattractiveness of the whole face, those eyes were more attractive than beauty. But the princess had never seen the good expression of thise eyes, the expression they had in moments when she was not thinking of herself. As with all people, the moment she looked in the mirror, her face assumed a strained, unnatural, bad expression.”

“How good it would be to know where to look for help in this life and what to expect after it, there, beyond the grave! How happy and calm I'd be, if I could say now: Lord, have mercy on me! ... But to whom shall I say it? Either it is an indefinable, unfathomable power, which I not only cannot address, but which I cannot express in words - the great all or nothing...or it is that God of whom Princess Marya has sewn in here, in this amulet? Nothing, nothing is certain, except the insignificance of everything I can comprehend and the grandeur of something incomprehensible but most important!”

“He was not thinking that the Christian law which he had wanted to follow all his life prescribed that he forgive and love his enemies; but the joyful feeling of love and forgiveness of his enemies filled his soul.”