“The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.”

“He had never thought the question over clearly, but vaguely imagined that his wife had long suspected him of being unfaithful to her and was looking the other way. It even seemed to him that she, a worn-out, aged, no longer beautiful woman, not remarkable for anything, simple, merely a kind mother of a family, ought in all fairness to be indulgent. It turned out to be quite the opposite.”

“Moreover, during his wife's confinement, something had happened that seemed extraordinary to him. He, an unbeliever, had fallen into praying, and at the moment he prayed, he believed. But that moment had passed, and he could not make his state of mind at that moment fit into the rest of his life.”

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

“How horrified he would have been if, seven years ago, when he had just come from abroad, someone had told him that there was no need to seek or invent anything, that his rut had long been carved out for him and determined from all eternity, and that, however he twisted and turned, he would be that which everybody was in his position. He could not have believed it. Had he not wished with all his soul to establish a republic in Russia, then to become a Napoleon himself, a philosopher, a tactician, the defeater of Napoleon? Had he not seen the possibility and passionately wished to transform depraved mankind and bring his own self to the highest degree of perfection? ... He sometimes comforted himself with the thought that he happened to be leading his life just so, in the meantime; but then he would be horrified by another thought, that it was just so, in the meantime, that so many people had entered this life, this club, as he had, with all their teeth and hair, and come out of it with not a single tooth or hair left.”

“What is the matter with you?" asked Shcherbatsky."Nothing much, but there is little to be happy about in this world.""Little? You'd better come with me to Paris instead of going to some Mulhausen or other. You'll see how jolly it will be!""No, I have done with that; it is time for me to die.""That is a fine thing!" said Shcherbatsky, laughing. "I am only just beginning to live.""Yes, I thought so too till lately; but now I know that I shall soon die."Levin was saying what of late he had really been thinking. He saw death and the apprroach of death in everything; but the work he had begun interested him all the more. After all, he had to live his life somehow, til death came. Everything for him was wrapped in darkness; but just because of the darkness, feeling his work to be the only thread to guide him through the darkness, he seized upon it and clung to it with all his might.”

“Oh how lovely it is!’ she kept saying. Look what a moon! Oh, how lovely!…I feel like squatting down on my heels, putting my arms round my knees like this, tight – as tight as can be – and flying away!” Prince Andrei, a serious man who thought he had given up on the pleasures of life, hears her from below, and “all at once such an unexpected turmoil of youthful thoughts and hopes, contrary to the whole tenor of his life, surged up in his heart.”