“Children show scars like medals. Lovers use them as a secrets to reveal. A scar is what happens when the word is made flesh.”

“She was made of flesh and eyelashes.”

“-You know how to call mealthough such a noise nowwould only confuse the airNeither of us can forgetthe steps we dancedthe words you stretchedto call me out of dustYes I long for younot just as a leaf for weatheror vase for handsbut with a narrow human longingthat makes a man refuseany fields but his ownI wait for you at anunexpected place in your journeylike the rusted keyor the feather you do not pick up.--I WILL NEVER FIND THE FACESFOR ALL GOODBYES I'VE MADE.-For Anyone Dressed in MarbleThe miracle we all are waiting foris waiting till the Parthenon falls downand House of Birthdays is a house no moreand fathers are unpoisoned by renown.The medals and the records of abusecan't help us on our pilgrimage to lust,but like whips certain perverts never use,compel our flesh in paralysing trust.I see an orphan, lawless and serene,standing in a corner of the sky,body something like bodies that have been,but not the scar of naming in his eye.Bred close to the ovens, he's burnt inside.Light, wind, cold, dark -- they use him like a bride.I Had It for a MomentI had it for a momentI knew why I must thank youI saw powerful governing men in black suitsI saw them undressedin the arms of young mistressesthe men more naked than the naked womenthe men crying quietlyNo that is not itI'm losing why I must thank youwhich means I'm left with pure longingHow old are youDo you like your thighsI had it for a momentI had a reason for letting the pictureof your mouth destroy my conversationSomething on the radiothe end of a Mexican songI saw the musicians getting paidthey are not even surprisedthey knew it was only a jobNow I've lost it completelyA lot of people think you are beautifulHow do I feel about thatI have no feeling about thatI had a wonderful reason for not merelycourting youIt was tied up with the newspapersI saw secret arrangements in high officesI saw men who loved their worldlinesseven though they had looked throughbig electric telescopesthey still thought their worldliness was seriousnot just a hobby a taste a harmless affectationthey thought the cosmos listenedI was suddenly fearfulone of their obscure regulationscould separate usI was ready to beg for mercyNow I'm getting into humiliationI've lost why I began thisI wanted to talk about your eyesI know nothing about your eyesand you've noticed how little I knowI want you somewhere safefar from high officesI'll study you laterSo many people want to cry quietly beside you”

“You have the lovers,they are nameless, their histories only for each other,and you have the room, the bed, and the windows.Pretend it is a ritual.Unfurl the bed, bury the lovers, blacken the windows,let them live in that house for a generation or two.No one dares disturb them.Visitors in the corridor tip-toe past the long closed door,they listen for sounds, for a moan, for a song:nothing is heard, not even breathing.You know they are not dead,you can feel the presence of their intense love.Your children grow up, they leave you,they have become soldiers and riders.Your mate dies after a life of service.Who knows you? Who remembers you?But in your house a ritual is in progress:It is not finished: it needs more people.One day the door is opened to the lover's chamber.The room has become a dense garden,full of colours, smells, sounds you have never known.The bed is smooth as a wafer of sunlight,in the midst of the garden it stands alone.In the bed the lovers, slowly and deliberately and silently,perform the act of love.Their eyes are closed,as tightly as if heavy coins of flesh lay on them.Their lips are bruised with new and old bruises.Her hair and his beard are hopelessly tangled.When he puts his mouth against her shouldershe is uncertain whether her shoulderhas given or received the kiss.All her flesh is like a mouth.He carries his fingers along her waistand feels his own waist caressed.She holds him closer and his own arms tighten around her.She kisses the hand besider her mouth.It is his hand or her hand, it hardly matters,there are so many more kisses.You stand beside the bed, weeping with happiness,you carefully peel away the sheetsfrom the slow-moving bodies.Your eyes filled with tears, you barely make out the lovers,As you undress you sing out, and your voice is magnificentbecause now you believe it is the first human voiceheard in that room.The garments you let fall grow into vines.You climb into bed and recover the flesh.You close your eyes and allow them to be sewn shut.You create an embrace and fall into it.There is only one moment of pain or doubtas you wonder how many multitudes are lying beside your body,but a mouth kisses and a hand soothes the moment away.”

“In My Secret Life""I saw you this morning,you were moving so fast.Can't seem to loosen my gripOn the past.And I miss you so much,there's no one in sight.And we're still making loveIn my secret life.I smile when I am angry,I cheat and I lie,I do what I have to doto get by,In my secret life.”

“Show me slowly what I onlyknow the limits ofDance me to the end of love”

“In Montreal spring is like an autopsy. Everyone wants to see the inside of the frozen mammoth. Girls rip off their sleeves and the flesh is sweet and white, like wood under green bark. From the streets a sexual manifesto rises like an inflating tire, “the winter has not killed us again!”