“Garages, barns and attics are always older than the buildings to which they are attached.”
“The older I get, the surer I am that I’m not running the show.”
“As I grew older, I understood that instructions came with this voice. What were these instructions? The instructions were never to lament casually. And if one is to express the great inevitable defeat that awaits us all, it must be done within the strict confines of dignity and beauty.”
“It was a dance of masks and every mask was perfect because every mask was a real face and every face was areal mask so there was no mask and there was no face for there was but one dance in which there was butone mask but one true face which was the same and which was a thing without a name which changed andchanged into itself over and over.”
“A Kite is a VictimA kite is a victim you are sure of.You love it because it pullsgentle enough to call you master,strong enough to call you fool;because it liveslike a desperate trained falconin the high sweet air,and you can always haul it downto tame it in your drawer.A kite is a fish you have already caughtin a pool where no fish come,so you play him carefully and long,and hope he won't give up,or the wind die down.A kite is the last poem you've writtenso you give it to the wind,but you don't let it gountil someone finds yousomething else to do.A kite is a contract of glorythat must be made with the sun,so you make friends with the fieldthe river and the wind,then you pray the whole cold night before,under the travelling cordless moon,to make you worthy and lyric and pure.GiftYou tell me that silenceis nearer to peace than poemsbut if for my giftI brought you silence(for I know silence)you would sayThis is not silencethis is another poemand you would hand it back to meThere are some menThere are some menwho should have mountainsto bear their names through timeGrave markers are not high enoughor greenand sons go far away to lose the fisttheir father’s hand will always seemI had a friend he lived and diedin mighty silence and with dignityleft no book son or lover to mourn.Nor is this a mourning songbut only a naming of this mountainon which I walkfragrant, dark and softly whiteunder the pale of mistI name this mountain after him.-Believe nothing of meExcept that I felt your beautymore closely than my own.I did not see any cities burn,I heard no promises of endless night,I felt your beautymore closely than my own.Promise me that I will return.--When you call me closeto tell meyour body is not beautifulI want to summonthe eyes and hidden mouthsof stone and light and waterto testify against you.-SongI almost went to bedwithout rememberingthe four white violetsI put in the button-holeof your green sweaterand how i kissed you thenand you kissed meshy as though I'dnever been your lover -Reach into the vineyard of arteries for my heart.Eat the fruit of ignorance and share with me the mist andfragrance of dying.-”
“From bitter searching of the heart,quickened with passion and with painwe riseto play a greater part this is the faith from which we start.”
“DEAR DIARYYou are greater than the BibleAnd the Conference of the BirdsAnd the UpanishadsAll put togetherYou are more severeThan the ScripturesAnd Hammurabi’s CodeMore dangerous than Luther’s paperNailed to the Cathedral doorYou are sweeterThan the Song of SongsMightier by farThan the Epic of GilgameshAnd braverThan the Sagas of IcelandI bow my head in gratitudeTo the ones who give their livesTo keep the secretThe daily secretUnder lock and keyDear DiaryI mean no disrespectBut you are more sublimeThan any Sacred TextSometimes just a listOf my eventsIs holier than the Bill of RightsAnd more intense”