“Well, I've been waiting, I was surewe'd meet between the trains we're waiting forI think it's time to board anotherPlease understand, I never had a secret chartto get me to the heart of thisor any other matter”
“-You know how to call mealthough such a noise nowwould only confuse the airNeither of us can forgetthe steps we dancedthe words you stretchedto call me out of dustYes I long for younot just as a leaf for weatheror vase for handsbut with a narrow human longingthat makes a man refuseany fields but his ownI wait for you at anunexpected place in your journeylike the rusted keyor the feather you do not pick up.--I WILL NEVER FIND THE FACESFOR ALL GOODBYES I'VE MADE.-For Anyone Dressed in MarbleThe miracle we all are waiting foris waiting till the Parthenon falls downand House of Birthdays is a house no moreand fathers are unpoisoned by renown.The medals and the records of abusecan't help us on our pilgrimage to lust,but like whips certain perverts never use,compel our flesh in paralysing trust.I see an orphan, lawless and serene,standing in a corner of the sky,body something like bodies that have been,but not the scar of naming in his eye.Bred close to the ovens, he's burnt inside.Light, wind, cold, dark -- they use him like a bride.I Had It for a MomentI had it for a momentI knew why I must thank youI saw powerful governing men in black suitsI saw them undressedin the arms of young mistressesthe men more naked than the naked womenthe men crying quietlyNo that is not itI'm losing why I must thank youwhich means I'm left with pure longingHow old are youDo you like your thighsI had it for a momentI had a reason for letting the pictureof your mouth destroy my conversationSomething on the radiothe end of a Mexican songI saw the musicians getting paidthey are not even surprisedthey knew it was only a jobNow I've lost it completelyA lot of people think you are beautifulHow do I feel about thatI have no feeling about thatI had a wonderful reason for not merelycourting youIt was tied up with the newspapersI saw secret arrangements in high officesI saw men who loved their worldlinesseven though they had looked throughbig electric telescopesthey still thought their worldliness was seriousnot just a hobby a taste a harmless affectationthey thought the cosmos listenedI was suddenly fearfulone of their obscure regulationscould separate usI was ready to beg for mercyNow I'm getting into humiliationI've lost why I began thisI wanted to talk about your eyesI know nothing about your eyesand you've noticed how little I knowI want you somewhere safefar from high officesI'll study you laterSo many people want to cry quietly beside you”
“I don't consider myself a pessimist. I think of a pessimist as someone who is waiting for it to rain. And I feel soaked to the skin.”
“In My Secret Life""I saw you this morning,you were moving so fast.Can't seem to loosen my gripOn the past.And I miss you so much,there's no one in sight.And we're still making loveIn my secret life.I smile when I am angry,I cheat and I lie,I do what I have to doto get by,In my secret life.”
“I don't rememberlighting this cigaretteand I don't rememberif I'm here aloneor waiting for someone.”
“Yeah I missed you since the place got wrecked By the winds of change and the weeds of sex looks like freedom but it feels like death it's something in between, I guess it's closing time.”
“I've forgotten most of what I've read and, frankly, it never seemed very important to me or to the world.”