“In a cage of wire-ribsThe size of a man’s head, the macaw bristles in a staringCombustion, suffers the stoking devils of his eyes.In the old lady’s parlour, where an aspidistra succumbsTo the musk of faded velvet, he hangs in clear flames,Like a torturer’s iron instrument preparingWith dense slow shudderings of greens, yellows, blues, Crimsoning into the barbs:Or like the smouldering head that hungIn Killdevil’s brass kitchen, in irons, who had beenVolcano swearing to vomit the world away in black ash,And would, one day; or a fugitive aristocratFrom some thunderous mythological hierarchy, caughtBy a little boy with a crust and a bent pin,Or snare of horsehair set for a song-thrush, And put in a cage to sing.The old lady who feeds him seedsHas a grand-daughter. The girl calls him ‘Poor Polly’, pokes fun.’Jolly Mop.’ But lies under every full moon,The spun glass of her body bared and so gleam-stillHer brimming eyes do not tremble or spillThe dream where the warrior comes, lightning and iron,Smashing and burning and rending towards her loin: Deep into her pillow her silence pleads.All day he stares at his furnaceWith eyes red-raw, but when she comes they close.’Polly. Pretty Poll’, she cajoles, and rocks him gently.She caresses, whispers kisses. The blue lids stay shut.She strikes the cage in a tantrum and swirls out:Instantly beak, wings, talons crashThe bars in conflagration and frenzy, And his shriek shakes the house.”