“This development signified also that jazz would someday have to contend with the idea of its being an art (since that was the white man's only way into it). The emergence of the white player meant that Afro-American culture had already become the expression of a particular kind of American experience, and what is most important, that this experience was available intellectually, that it could be learned.”
“To be sure, rock n' roll is usually a flagrant commercialization of rhythm & blues, but the music in many cases depends on materials that are so alien to the general middle-class, middle-brow American culture as to remain interesting. Many of the same kinds of cheap American dilutions that had disfigured popular swing have tended to disfigure the new music, but the source, the exciting and "vulgar" urban blues of the forties, is still sufficiently removed from the mainstream to be vital. For this reason, rock n' roll has not become as emotionally meaningless as commercial swing. It is sill raw enough to stand the dilution and in some cases, to even be made attractive by the very fact of its commercialization. Even its "alienation" remains conspicuous; it is often used to characterize white adolescents as "youthful offenders." (Rock n' roll also is popular with another "underprivileged" minority, e.g., Puerto Rican youths. There are now even quite popular rock n' roll songs, at least around New York, that have some of the lyrics in Spanish.) Rock n' roll is the blues form of the classes of Americans who lack the "sophistication" to be middle brows, or are too naïve to get in on the mainstream American taste; those who think that somehow Melachrino, Kostelanetz, etc., are too lifeless”
“And now each night, I count the stars.And each night I get the same number.And when the stars won't come to be counted,I count the holes they leave.”
“The spirit of the whites was really devilish; they seemed determined to drive the Indians to the wall, not one had spoken a word in their behalf. . . I told the whites that they demanded of the natives, what none of them could do; that if they were required to make all their wrongs right that they had committed for the last two years, it would bankrupt them morally and financially. . . I referred to the virtue and honesty of the Pimas when the whites first came among them, showing that all their vile degradation and dishonesty was copied from the white man. Also, that many now present were corrupt and immoral, much more so than the average Indian.”
“Bonhoeffer's experiences with African American community underscored an idea that was developing in his mind: the only real piety and power that he had seen in the American church seemed to be in the churches where there were a present reality and a past history of suffering.”
“Zara White, since when has love ever not mattered?”
“The miscegnation laws of the South only operate against the legitimate union of the races; they leave the white man free to seduce all the colored girls he can, but it is death to the colored man who yields to the force and advances of a similar attraction in white women. White men lynch the offending Afro-American, not because he is a despoiler of virtue, but because he succumbs to the smiles of white women.”