“The truth doesn't always make a good story, does it? ”

“If there's a single lesson that life teaches us, it's that wishing doesn't make it so.”

“The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.”

“Sure, but real life’s not actually like that,” Quentin went on, fumbling after what he was sure was an important insight. “You don’t just go on fun adventures for good causes and have happy endings. You’re not going to be a character in a story, there’s nobody arranging everything for you. The real world just doesn’t work like that.”

“They went around the room telling stories about how they'd gotten here. No two were exactly the same, but there was always a certain family resemblance. Somebody went looking for a lost ball in an alley, or a stray goat in a drainage ditch, or fallowed an inexplicable extra cable in the high school computer room which led to a server closet that had never been there before.”

“Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.”

“But there was a more seductive, more dangerous truth to Fillory that Quentin couldn’t let go of. It was almost like the Fillory books— especially the first one, The World in the Walls— were about reading itself. When the oldest Chatwin, melancholy Martin, opens the cabinet of the grandfather clock that stands in a dark, narrow back hallway in his aunt’s house and slips through into Fillory (Quentin always pictured him awkwardly pushing aside the pendulum, like the uvula of a monstrous throat), it’s like he’s opening the covers of a book, but a book that did what books always promised to do and never actually quite did: get you out, really out, of where you were and into somewhere better.”