“Quite a number of writers comment on the decidedly human character of the fairies, but it must be obvious that practically all supernaturals partake of human traits, more usually unpleasant ones, being as they are the projections of man's fear and imagination and created by him, psychologically, in his own image. Fairies are frequently described as being peevish, irritable, and revengeful to a degree. Grant Stewart says rather unmercifully of the Scottish fairies that "their appetites are as keen as their inclinations are corrupt and wicked.”

“As regards the prohibition on the utterance of the fairy name by mortals, either that of the species as a whole, or of individuals, it his undoubtedly issued from sources exceedingly ancient. It is implicit in animistic belief that the name of a man or spirit is a vital part of the individual. In some remoter areas of the world a person's name is still regarded as being equally vital or important with his spirit or soul, and to know it and pronounce it presumes power over the person or spirit to whom it belongs. Supernatural beings in general are indeed exceedingly touchy upon the subject of their names being freely bandied about, and to this rule fairies are no exception. It is for this reason that the fays have bestowed upon them such alternative titles or sobriquets as 'the good neighbours,' or 'the wee folk.' 'We find,' says Wentz, 'that taboos of a religious and social character are as common in the living fairy-faith as exorcisms. The chief one is against naming the fairies.''Gin ye ca' me fairy / I'll wark ye muck Ie tarrie [trouble],' says an old Scottish rhyme which popular belief put into the mouths of the elves. 'The fairies,' remarks Robert Chambers, 'are said to have been exceedingly sensitive upon the subject of their popular appellations. They considered the term 'fairy' disreputable.”

“And even these ((the common hill fairy, the standard elf of folk-lore) are in danger of being banished into the limbo of forgetfulness by the quite artificial fairy of juvenile literary commerce, with gauzy wing and skirts reminiscent of the ballet. It has always seemed to me extraordinary that literature has been able to create wings where none were before, for our native fairies are as wingless as ourselves. But for such an innovation the Elizabethan poets and playwrights were probably responsible - a topic which we must consider in another chapter.”

“This brings me to the question of the antiquity of the belief in fairies and to the associated problem of the existence of strata or stages in fairy belief. The antiquity of the belief is revealed by the wide distribution of tales concerning fairies, while it is also indicated by the antipathy of the elves to iron and salt - ancient taboos both. Not only so, but many traits respecting fairies, especially shape-shifting and the belief in their semi-corporeal state, are eloquent of primitive notions. That the process of the fairy belief witnessed more than one stage of development in the course of successive ages appears more than probable. 'The fairies of one race,' remarks Wentz, 'are the people of the preceding race.' If this statement lacks a certain precision, one realizes the implication; that is, that the ghosts or gods of a preceding race may come to be regarded by their successors as fairies.”

“In my view the study of fairy origins assumes a greater degree of importance than popular opinion is wont to concede to it. Indeed, the ideas associated with it strike at the very roots of human belief and primitive methods of reasoning. It is scarcely to be questioned that the explanation of fairy origins is of the utmost value to the better comprehension of primitive religion. Later it will be made clear that, for the writer at least, the whole tradition of Faerie reveals quite numerous and excellent proofs of its former existence as a primitive and separate cult and faith, more particularly as regards its appearance and tradition in these islands.”

“To sum up: all nature-spirits are not the same as fairies; nor are all fairies nature-spirits. The same applies to the relationship of nature-spirits and the dead. But we may safely say that a large proportion of nature-spirits became fairies, while quite a number of the dead in some areas seem to take on the character of nature-spirits. We cannot expect any fixity of rule in dealing with barbaric thought. We must take it as it comes. It bears the same relationship to "civilized" or folk-lore theory as does the growth of the jungle to a carefully designed and meticulously labelled botanical garden. As Victor Hugo once exclaimed when writing of the barbaric confusion which underlies the creative function in poetry: 'What do you expect? You are among savages!”

“...some evidence seems to exist that an idea prevailed that in the fairy sphere there is a reversal of the seasons, our winter being their summer. Some such belief seems to have been known to Robert Kirk, for he tells us that 'when we have plenty they [the fairies] have scarcity at their homes.' In respect of the Irish fairies they seem to have changed their residences twice a year: in May, when the ancient Irish "flitted" from their winter houses to summer pastures, and in November, when they quitted these temporary quarters.”