“Brimming. That's what it is, I want to get to a place where my sentences enact brimming.”

“That's what I want, that kind of recklessness where the poem is even ahead of you. It's like riding a horse that's a little too wild for you, so there's this tension between what you can do and what the horse decides it's going to do.”

“You thinkof a woman, a favoritedress, your old father's breaststhe last time you saw him, his breath,brief, the leafyou've torn from a vine and which you hold nowto your cheek like a train ticketor a piece of cloth, a little hand or a blade--it all dependson the course of your memory.It's a place for those who own no placeto correspond to ruins in the soul.It's mine.It's all yours.”

“A door jumpsout from shadows,then jumps away. Thisis what I've come to find:the back door, unlatched.Tooled by insular wind, itslams and slamswithout meaningto and without meaning.”

“I don't mind suffering as long as it's really about something. I don't mind great luck, if it's about something. If it's the hollow stuff, then there's no gift, one way or the other.”

“I am that last, thatfinal thing, the bodyin a white sheet listening,”

“a bruise, bluein the muscle, youimpinge upon me.As bone hugs the ache home, soI'm vexed to love you, your bodythe shape of returns, your hair a torsoof light, your heatI must have, your openingI'd eat, each momentof that soft-finned fruit,inverted fountain in which I don't see me.”