“We're like pretty horses, and just as on horses, they mean to put blinders on us so we can't look left or right but only straight ahead where they would lead.”

“Gemma, you see how it is. They've planned our entire lives, from what we shall wear to whom we shall marry and where we shall live. It's one lump of sugar in your tea whether you like it or not and you'd best smile even if you're dying deep inside. We're like pretty horses, and just as on horses, they mean to put blinders on us so we can't look left or right but only straight ahead where they would lead. Please, please, please, Gemma, let's not die inside before we have to.”

“The face staring back at me isn't beautiful but she isn't something that would scare the horses, either.”

“We're all looking glasses, we girls, existing only to reflect their images back to them as they'd like to be seen. Hollow vessels of girls to be rinsed of our own ambitions, wants, and opinions, just waiting to be filled with the cool, tepid water of gracious compliance.”

“There is much asked and only so much I think I can or should answer, and so, in this post I would like to give a few thoughts on what seemed to be the overwhelming question: “WHY?”And here is the best answer I can give: Because.Because sometimes, life is damned unfair.Because sometimes, we lose people we love and it hurts deeply.Because sometimes, as the writer, you have to put your characters in harm’s way and be willing to go there if it is the right thing for your book, even if it grieves you to do it.Because sometimes there aren’t really answers to our questions except for what we discover, the meaning we assign them over time.Because acceptance is yet another of life’s “here’s a side of hurt” lessons and it is never truly acceptance unless it has cost us something to arrive there.Why, you ask? Because, I answer.Inadequate yet true.”

“Or perhaps it is some combination of spirit and desire, love and hope, some alchemy that we each possess and can put to use, if we first know where to look without flinching.”

“For a brief while, the women ask us questions: are we looking forward to our debuts? Did we enjoy this opera or that play? As we give our slight answers, they smile, and I cannot read what is behind their expressions. do they envy us our youth and beauty? Do they feel happiness and excitement for the lives that lie ahead of us? Or do they wish for another chance at their own lives? A different chance?”