“Will was making a speech, something about having been young and careless once, the sort of thing old-timers said when they issued a deathblow, as if they thought their sanctimonious ramblings disguised as empathy would be welcomed, but Evie was only half listening.”

“With each shimmy, the bugle beads on their scandalously revealing costumes swung and shook. It was the sort of display Evie knew her mother would have found appalling—an example of the moral decay of the young generation. It was sexual and dangerous and thrilling, and Evie wanted more of it.”

“The police have asked for my help. There's been a murder.""A murder! Oh, my. Let me just change my shoes," Evie said excitedly. "It won't be a minute.”

“Hey,” the cabbie yelled. “How’s about a tip?” “You bet-ski,” Evie said, heading toward the old Victorian mansion, her long silk scarf trailing behind her. “Don’t kiss strange men in Penn Station.”

“Evie hadn’t always felt that way. For a year after James had died, she’d cupped his half-dollar pendant between her pressed palms and prayed fervently for a miracle, for a telegram that would say GOOD NEWS! IT WAS A TERRIBLE MISTAKE, AND PRIVATE JAMES XAVIER O’NEILL HAS BEEN FOUND, SAFE, IN A FARMHOUSE IN FRANCE. But no such telegram ever arrived, and whatever possible faith might have bloomed in Evie withered and died. Now she saw it as just another advertisement for a life that belonged to a previous generation and held no meaning for hers.”

“No one had ever said anything like that to Evie. Her parents always wanted to advise or instruct or command. They were good people, but they needed the world to bend to them, to fit into their order of things. Evie had never really quite fit, and when she tried, she’d just pop back out, like a doll squeezed into a too-small box.”

“For once, Evie didn’t know what to say. She hadn’t really thought of her uncle as very human. He was more like a textbook who occasionally remembered to put on a tie. But it was clear that he was, indeed, human, with a deep wound named Rotke.”