“I can take one individual note out of the music I am trying to write at the moment, and ti could belong anywhere. Yet where it sits, where I have placed it, it follows what came before and leads to what comes after. Without it the whole would not be as it is. As the composer I must know each individual note in order to make the whole. Like the colors on an artist's palette, on their own the notes are absolute, yet when they are placed in a particular work, their individuality becomes one with the whole. They have to be chosen for what they are - red, yellow, blue - but with the effect of their combined potential in mind. It is necessary to know the parts in order to make up the whole. It applies to music, to art, and to life itself, I think. When you listen to the finished composition, or when you go about living your life, the individual components join to make a whole that can so easily be taken for granted. But it is not until you become aware of the parts that you can begin to understand the miracle. It took me almost a lifetime to start searching for the sounds, the notes that make my life's music. And it required a sacrifice so enormous that it did away with all that had made my life meaningful. But in the total silence that came afterward, I finally heard a first single note, and others slowly followed. (5)”

“My life now consists of fragments where some are so blinding in their intensity that they make everything else indistinguishable. What shall I do with these glittering shards? There is no pattern; I can't make them fit. With each other, or with the whole that should be my life. It feels as if my existence was extinguished in a flash, and afterwards my universe became incomprehensible. Just shards and particles, which I carry with me wherever I go. They are sharp and they still hurt to touch. And they are so heavy. I know there is more - there are less intense fragments that I need to make it whole. I want to remember everything. But perhaps I need to give it more time. Allow myself some rest. Distance myself a little, to see if I can make out a pattern. And face the truth about what is really there.”

“You can make yourself believe that someone can look into your eyes and read your mind. You can wish for it, or dread it. There is no cause for either. As long as you carry your words inside, they are safe. You are the sole keeper. But sometimes that is a terrible curse, Adam. Those unformed words take on an enormous weight. Sometimes the burden of them becomes more than you can carry. For me it did. I simply had to share it. And Angela came to me. (238)”

“I think that perhaps there are no such defining moments at all. Beginnings and ends are fluid, long chains of events where some links seem so insignificant and others so very momentous, while in fact all have the same weight. What may appear as a single dramatic moment is just a link between what was before and what comes after.”

“...when I checked the other day, I found it - my strawberry patch - overgrown and hidden under weeds, but still there...like secrets, like memories. You can make yourself believe that they have been erased. But they are there, if you look closely. If you have a wish to uncover them.”

“I have never talked to anyone about that night. Ever...' she said. 'And now when I listen to my own words, I realise that they tell a different story from the one I have carried all these years.' The old woman closed her eyes. 'I think that if we can find the words, and if we can find someone to tell them to, then perhaps we can see things differently. But I had no words, and I had nobody.”

“Many of us can maybe sometimes imagine sounds, or have some musical ideas. But to have them consistenly building whole works, and to have the means of transforming something that's in your ear into handcrafted written notes that give back what you heard and what you felt - I find it just utterly miraculous.”