“It's often about the simple things, isn't it? Painting and photography are first about seeing, they say. Writing is about observing. Technique is secondary. Sometimes the simple is the most difficult.”

“Take risks! That is really what life is about. We must pursue our own happiness. Nobody has ever lived our lives; ther are no guidelines. Trust your instincts. Accept nothing but the best. But then also look for it carefully. Don't allow it to slip between your fingers. Sometimes, good things come to us in a such a quiet fashion. And nothing comes complete. It is what we make of whatever we encounter that determines the outcome. What we choose to see, what we choose to save. And what we choose to remember. Never forget that all the love in your life is there, inside you, always.”

“I have never talked to anyone about that night. Ever...' she said. 'And now when I listen to my own words, I realise that they tell a different story from the one I have carried all these years.' The old woman closed her eyes. 'I think that if we can find the words, and if we can find someone to tell them to, then perhaps we can see things differently. But I had no words, and I had nobody.”

“Sometimes we are given exactly what we need. The precise people that you need the most come stumbling into your life. Sometimes you don't notice, and this is very sad. Sometimes you lose them again. This is sad too, but not as sad. Because what you have once had together you have forever.”

“I have stopped painting. I stand in front of the easel, brush in hand, but my mind is blank. It is as if I have been struck by a strange kind of blindness.”

“I think that if we can find the words, and if we can find someone to tell them to, then perhaps we can see things differently. But I had no words, and I had nobody. - 153”

“I can take one individual note out of the music I am trying to write at the moment, and ti could belong anywhere. Yet where it sits, where I have placed it, it follows what came before and leads to what comes after. Without it the whole would not be as it is. As the composer I must know each individual note in order to make the whole. Like the colors on an artist's palette, on their own the notes are absolute, yet when they are placed in a particular work, their individuality becomes one with the whole. They have to be chosen for what they are - red, yellow, blue - but with the effect of their combined potential in mind. It is necessary to know the parts in order to make up the whole. It applies to music, to art, and to life itself, I think. When you listen to the finished composition, or when you go about living your life, the individual components join to make a whole that can so easily be taken for granted. But it is not until you become aware of the parts that you can begin to understand the miracle. It took me almost a lifetime to start searching for the sounds, the notes that make my life's music. And it required a sacrifice so enormous that it did away with all that had made my life meaningful. But in the total silence that came afterward, I finally heard a first single note, and others slowly followed. (5)”