“...when I checked the other day, I found it - my strawberry patch - overgrown and hidden under weeds, but still there...like secrets, like memories. You can make yourself believe that they have been erased. But they are there, if you look closely. If you have a wish to uncover them.”
“You can make yourself believe that someone can look into your eyes and read your mind. You can wish for it, or dread it. There is no cause for either. As long as you carry your words inside, they are safe. You are the sole keeper. But sometimes that is a terrible curse, Adam. Those unformed words take on an enormous weight. Sometimes the burden of them becomes more than you can carry. For me it did. I simply had to share it. And Angela came to me. (238)”
“Now it is as if I remember my grief rather than experience it. I remember the pain I suffered as the memories washed over me where I sat on the deck that day. Now I have only the memories of my own feelings, not the feelings themselves. That day the feelings were still alive, the pain real. Now I look back and I can see every detail but I am not there, inside it. My own pain is now forever calcified. I carry it with me, but it is no longer alive. (10)”
“But once you accept the fact that you have always been alone, and will always be, then your perspective can begin to change. You can become aware of the small kindnesses, the little comforts. Be grateful for them.”
“Perhaps we believe that anything is better than that which we all fear the most. Loneliness. Abandonment. But once you accept that fact that you have always been alone, and will always be, then your perspective can being to change. You can become aware of the small kindnesses, the little comforts. Be grateful for them. And with time you will understand that there is nothing to fear. And much to be grateful for.”
“I have never talked to anyone about that night. Ever...' she said. 'And now when I listen to my own words, I realise that they tell a different story from the one I have carried all these years.' The old woman closed her eyes. 'I think that if we can find the words, and if we can find someone to tell them to, then perhaps we can see things differently. But I had no words, and I had nobody.”
“I can take one individual note out of the music I am trying to write at the moment, and ti could belong anywhere. Yet where it sits, where I have placed it, it follows what came before and leads to what comes after. Without it the whole would not be as it is. As the composer I must know each individual note in order to make the whole. Like the colors on an artist's palette, on their own the notes are absolute, yet when they are placed in a particular work, their individuality becomes one with the whole. They have to be chosen for what they are - red, yellow, blue - but with the effect of their combined potential in mind. It is necessary to know the parts in order to make up the whole. It applies to music, to art, and to life itself, I think. When you listen to the finished composition, or when you go about living your life, the individual components join to make a whole that can so easily be taken for granted. But it is not until you become aware of the parts that you can begin to understand the miracle. It took me almost a lifetime to start searching for the sounds, the notes that make my life's music. And it required a sacrifice so enormous that it did away with all that had made my life meaningful. But in the total silence that came afterward, I finally heard a first single note, and others slowly followed. (5)”