“Recently, I’ve begun to think of scoliosis as a metaphor for my life. I’ve struggled to please teachers, employers, parents, boyfriends, husbands, twisting myself into someone I can’t be. I hurt when I do this, because it’s not natural. And it never works. But when I stretch my Self, instead, the results are different. When I’m reaching for my personal goals—to be a good mother, wife, friend and writer—I feel my balance return. And the sense of relief, as I become more the woman I truly am, is simply grand.”

“God knows, I’m no expert on relationships, but I do know when something’s good. And this thing we’ve created between us is precious and rare. I only hope it’s not fleeting, because for the first time in my adult life, I’ve given someone the power to hurt me.”

“I’ve found the things I’ve regretted most in my life are the things I wanted to do but never had the courage to try. And I’m beginning to think I don’t want you to become one of my what-if-I’d-only-tried-it regrets.”

“Starting today, instead of saying "I have to" when discussing your actions or goals, substitute the words "I choose to." Now the phrase "I have to go to work" becomes "I choose to go to work." And "I have to lose weight" becomes "I choose to lose weight." Saying "I choose to" puts you in charge and affirms that you want to see results.”

“I could never be sure whether he would be there when I arrived. On my way through the forest I used to pass a large granite block where I would stop, draw my breath and close my fists with my thumbs inside, then close my eyes and whisper: 'Please, please, please let him be there today,' before continuing. If he wasn't, I felt it was because I had done wrong. That somehow I had to earn the right to such pleasure.”

“Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.”

“I keep my feet candy-coated because I never know when one or both of them will wind up in my mouth.”