“In his attempt to graft my attributes onto his own belief system, one just would not take: my rabid feminism, which for me was the idea that no kind of sex is shameful and any kind of violence (including psychological, including societal mores) is. This is the unspoken reverse of American thinking in general, and of rich men in particular. I am often inappropriate. ”

“The only nineties performer I see worthy of wearing the Bee Gees mantle of grandiose love hurried on by an eternal wind is Seal. Seal informs the lady that she is "the light on the dark side of me." He goes on: "And did you know that when it snows my eyes become enlarged and the light that you shine can't be seen?" Well, no, I didn't know that. As with the Bee Gees, I'm not sure what Seal is trying to say, but it sounds so traumatic and interesting that I immediately imagine the song is about me. "You remain my power, my pleasure, my pain," Seal is telling me. I like to be talked to like that! I can't wait for his next album to come out so I can find out what else I am.”

“The beauty parlor is where everything interesting in life, everything alluring, is experienced firsthand, physically, rather than through the spectrum of some screen or another. It's so emotional in there! And all these people are stroking your hair. The atmosphere is centuries old, yet very now too. Elba is not bound to our technological era. Were armageddon to befall us tomorrow and wipe our electricity and organized delivery systems, elba would still have a job. Her gossip would take the place of associated press wire services. Instead of using bleach in a bottle, she'd squeeze the juice out of an unfortunate iguana directly onto her customer's hair. A woman like elba finds a way.”

“...I say long live the bountiful personality. Long live the people who make people mad. Long live the ones who won't listen to sense. Long live the people who are forever getting warned, "one of these times, you're going to go too far!" Long live the fiery, the unguilty, the unhumble, the dazzling, the cheerful and the brave. Even if they don't live long, even if they look obnoxious or even stupid in a certain light, they're still wonderful and magnificent to me, and they're free free free.”

“Anything well done has the feeling of death to me, of being finished. I don't want to "master" anything. I want to spy, and sneak, and capture things just as they are . . . record all that comes before and after the song—jokes and fights and private moments.Having an unfillable hole inside is a great catalyst. You're always trying new things to fill it. People with holes look good! Look ready for action. But then sometimes you're home alone, and there's nothing new to try, and the hole's still there. "Hey," it growls, poking you from inside, "I'm hungry." I get tired of it!We are like two living cells inside a just-dead body—doomed, terrified.She argues herself out of anything she's working on, halfway through. As I stand there in the downpour and pull the mailbox open and drop my letter down the hole, I think about how Cindy is more beautiful, intelligent, and intricate than me, but still I have the winning point: whatever I do, even when I'm wrong, I go all the way.It's dark humor, but it's rooted in something real. What you present to the world is light humor. You keep it fun and fast-paced. No one can relate to that long-term. Struggle is what makes life rich—not success.”

“All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.”

“What kind of wedding would you like?" he asked, and stole another kiss before she could reply."The kind that turns you into my husband." She touched the firm line of his mouth with her fingers. "What kind would you like?"He smiled ruefully. "A fast one.”