“Oftentimeswhen I read a book,I want to savoreach word,each phrase,each page,loving the proseso much,I don't want itto end.Other timesthe story pulls me in,and I can hardlyread fast enough,the details flying by,some of them lostbecause all that mattersis making surethe characteris all rightwhen it's over.”

“Many times when I read a book, I want to savor each word, each phrase, each page, loving the prose so much, I don’t want it to end. Other times the story pulls me in, and I can hardly read fast enough, the details flying by, some of them lost because all that matters is making sure the character is all right when it’s over.”

“I still find each day too short for all the thoughts I want to think, all the walks I want to take, all the books I want to read, and all the friends I want to see.”

“I always had to buy a book, even if I wasn't done with the one I was currently reading. I loved to read. I felt like the trun of each page echoed between the covers of the world inside them-and each book had its own rules. There, within the mystique of that connection, was something special, and I was an addict.”

“...each part of a story, each word if possible, was to work frontally as well as laterally... ("Conveyance: The Story I would Not Want Bill Wilson To Read")”

“As for 'too much description,' well, opinions differ. We write the books we want to read. And I want to read books that are richly textured and full of sensory detail, books that make me feel as if I am experiencing a story, not just reading it. Plot is only one aspect of telling a tale, and not the most important one. It is the journey that matters, not how fast you arrrive at the destination.That's my view, anyway. Others writers differ, of course. There are hundreds of books where everything is subordinate to advancing the plot, some of them quite fine, but my work has never been about that, and never will be.”