“I can't cheer up — I don't want to cheer up. It's nicer to be miserable!”

“I don't know, I don't want to talk as much. (...) It's nicer to think dear, pretty thoughts and keep them in one's heart, like treasures. I don't like to have them laughed at or wondered over.”

“…I'm sorry, and a little dissatisfied as well. Miss Stacy told me long ago that by the time I was twenty my character would be formed, for good or evil. I don't feel that it's what it should be. It's full of flaws.' 'So's everybody's,' said Aunt Jamesina cheerfully. 'Mine's cracked in a hundred places. Your Miss Stacy likely meant that when you are twenty your character would have got its permanent bent in one direction or 'tother, and would go on developing in that line.”

“I suppose that's how it looks in prose. But it's very different if you look at it through poetry…and I think it's nicer…' Anne recovered herself and her eyes shone and her cheeks flushed… 'to look at it through poetry.”

“Why must people kneel down to pray? If I really wanted to pray I’ll tell you what I'd do. I'd go out into a great big field all alone or in the deep, deep woods and I'd look up into the sky—up—up—up—into that lovely blue sky that looks as if there was no end to its blueness. And then I'd just feel a prayer.”

“Anne?" said Dacy sitting up in bed and propping his chin on his hands, "Anne, where is sleep? People go to sleep every night, and of course I know it's a place where I do things I dream, but I want to know where it is and how to get there and back without knowing anything about it . . . and in my nighty too. Where is it?”

“Anne laughed."I don't want sunbursts or marble halls, I just want you.”