“So he sat and listened to pigeons talking, till it seemed to him they were trying to lull the restlessness of Earth, and thought that they might by drowsy incantation be putting some spell against time, through which it could not come to harm their nests; for the power of time was not made clear to him yet and he knew not yet that nothing in our fields has the strength to hold out against time.”

“Yet in the blood of man there is a tide, an old sea-current rather, that is somehow akin to the twilight, which brings him rumours of beauty from however far away, as driftwood is found at sea from islands not yet discovered: and this spring-tide or current that visits the blood of man comes from the fabulous quarter of his lineage, from the legendary, the old; it takes him out to the woodlands, out to the hills; he listens to ancient song.”

“But I called, as we came near, to one who stood beside the water's edge, asking him what men did in Astahahn and what their merchandise was, and with whom they traded. He said, "Here we have fettered and manacled Time, who would otherwise slay the gods." I asked him what gods they worshipped in that city, and he said, "All those gods whom Time has not yet slain." (from "Idle Days on the River Yann")”

“For he had acquired a lore in his youth which taught him ever to avoid the aged when merry plans were afoot; for the aged would come with their wisdom and slowness of thought, and other plans would be made, and there would be, at least, delay.”

“Nobody can tell you about that sword all that there is to be told of it; for those that know of those paths of Space on which its metals once floated, till Earth caught them one by one as she sailed past on her orbit, have little time to waste on such things as magic and so cannot tell you how the sword was made, and those who know whence poetry is, and the need that man has for song, or know any one of the fifty branches of magic, have little time to waste on such things as science, and so cannot tell you whence its ingredients came. Enough that it was once beyond our Earth and was now here amongst our mundane stones; that it was once but as those stones, and now had something in it such as soft music has; let those that can define it.”

“What could she do who would not cast away magic and leave the home that an ageless day had endeared to her while centuries were withering like leaves upon earthly shores, whose heart was yet held by those little tendrils of Earth, which are strong enough, strong enough?”

“The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer.”