“Her parents had gone from a couple who would be different, who would be better than anyone, who were determined to be better than most, to a couple who would be different because they were worse.”

“I guessed that only at the last possible minute did the soul in a determined fashion flee the dying flesh. Who could blame it for its reluctance? We loved our lives more than we ever knew, and at the end felt the bounty of them, as one would say in church, felt even the richness of their missed opportunities, or just understood that they were more than we had realized during the living of them and a lot to give up.”

“Later I would come to believe that erotic ties were all a spell, a temporary psychosis, even a kind of violence, or at least they coexisted with these states. I noted that criminals as well as the insane tended to give off a palpable, vibrating allure, a kind of animal magnetism that kept them loved by someone. How else could they survive at all? Someone had to hide them from the authorities! Hence the necessity and prevalence of sex appeal for people who were wild and on the edge.”

“Guns, she was reminded then, were not for girls. They were for boys. They were invented by boys. They were invented by boys who had never gotten over their disappointment that accompanying their own orgasm there wasn't a big boom sound.”

“I felt sorry for Mary-Emma and all she was going through, every day waking up to something new. Though maybe that was what childhood was. But I couldn't quite recall that being the case for me. And perhaps she would grow up with a sense that incompetence was all around here, and it was entirely possible I would be instrumental in that. She would grow up with love, but no sense that the people who loved her knew what they were doing - the opposite of my childhood - and so she would become suspicious of people, suspicious of love and the worth of it. Which in the end, well, would be a lot like me. So perhaps it didn't matter what happened to you as a girl: you ended up the same.”

“Tragedies, I was coming to realize through my daily studies in humanities both in and out of the classroom, were a luxury. They were constructions of an affluent society, full of sorrow and truth but without moral function. Stories of the vanquishing of the spirit expressed and underscored a certain societal spirit to spare. The weakening of the soul, the story of the downfall and the failed overcoming - trains missed, letters not received, pride flaring, the demolition of one's own offspring, who were then served up in stews - this was awe-inspiring, wounding entertainment told uselessly and in comfort at tables full of love and money. Where life was meagerer, where the tables were only half full, the comic triumph of the poor was the useful demi-lie. Jokes were needed. And then the baby feel down the stairs. This could be funny! Especially in a place and time where worse things happened. It wasn't that suffering was a sweepstakes, but it certainly was relative. For understanding and for perspective, suffering required a butcher's weighing. And to ease the suffering of the listener, things had better be funny. Though they weren't always. And this is how, sometimes, stories failed us: Not that funny. Or worse, not funny in the least.”

“My grandmother, who, when I visited, stared at me with the staggering, arrogant stare of the dying, the wise vapidity of the already gone; she refused to occupy the features of her face.”